Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
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Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
Kohata Anime Studio is a place full of dreams where animation is made. Baja was raised in this studio by the people who create animation. Floating in a pond outside are his friends the ducks. One night, when all the people are no longer at the studio, Baja takes a peek outside and finds that his duck friends are being attacked by a cat. Will Baja be able to save his friends? A wondrous night adventure begins.
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A little girl is taken on a mind-bending tour of her distant future.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
The story focuses on high school girl Nagisa Yukiai who lives in a seaside town. She has believed her grandmother's story that spirits dwell in words and they are called "kotodama" (word spirit). One day, she strays into a mini FM station that has not been used for years. As an impulse of the moment, she tries to talk like a DJ using the facility. But her voice accidentally broadcasted reaches someone she has never expected.
Autumn is in the air as the Kitauji High School concert band prepares for the National Competition. The band hears troubling news that Asuka Tanaka, vice president of the club and one of the key euphonium players in the band, may quit! Asuka is beautiful and charismatic and everyone relies on her, but she also has a cool side and never reveals her true self. Kumiko doesn’t get along with Asuka initially, but her feelings change when she learns that Asuka may actually drop out. Asuka has feelings about the euphonium that she cannot tell anyone else…
An experimental short from Oskar Fischinger
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
The second anime short based on Kyoto Animation studio mascot character Baja.
An animated telling of Kobe Bryant's titular poem, signaling his retirement from the sport that made his name.
A series of short animated segments, without dialog, explore major characters of modern society, such as the plastic surgeon, the fashion-obsessed woman, the rumor-monger, and others, leading to a concluding comment on the progress of civilization.
“Apotheosis, which is developed from images made in the radiation treatment of human cancer, is the most beautiful and the most subtly textured work in computer animation I have seen.” – Roger Greenspun, N. Y. Times Award Foothills-1973.
A ballet of squares and octagons in many forms, exhibiting a variety of geometric and sometimes sensuous interactions.
Experimental computer animation from pioneering artist Ed Emshwiller.
Extended editing techniques based on Land’s experiments affect the viewer’s sensory perceptions.
“The changing dots, ectoplasmic shapes and electronic music of L. Schwartz’s ‘Mutations’ which has been shot with the aid of computers and lasers, makes for an eye-catching view of the potentials of the new techniques.” – A. H. Weiler, N. Y. Times
