Inspired by the mythological creature Ouroubouros, this visual study attempts to make use of temporality to recreate the form of a circle with moving lines.
Mr Plastimime is a funny and moving story about a man who faithfully practices a dying art, a man whose timing is a bit off, a man whose skills aren’t recognized, a man who is unlucky in love; But this is a man who keeps moving forward, faithfully believing he will one day be finally ‘seen’. That day has come…but he never expected it to be like this.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.
Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
A short movie about a guy living in his own world.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
"My last image of Jonas."—Ken Jacobs
Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.
No overview available.
A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.
Bill struggles to put together his shattered psyche.
Free composition movie is that defines the real substance of day to day life with sensation achieved by connecting scenes that are independent from one another. The essence of the work is in the relationship between these scenes; how the connection is achieved among the unintelligible features of the characters due to an influence that is above them – all this in a monochrome world based on Jacques Tati’s work.
In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.
This is no animation, it's one picture. Short experimental film by Mirai Mizue
This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.
No Trailers found.
No Cast found.