logologo
MovieVerse© 2024
Privacy PolicyTerms of ServiceContact Us
Made with ❤️ by Thathsara
movie poster
Claire
Sign in to create your own watchlist

Claire

Feb 1, 2016
0h 4m
★ 10.0

Overview

Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.

Genres

Animation

Claire Trailers

No Trailers found.

Cast

No Cast found.

You may also like

Bright Lights
5.7

Bright Lights

Mar 5, 1928

Oswald would like to see Mlle. Zulu the Shimmy Queen but he's short on cash. Seeing the more stately gentlemen being admitted without tickets, he tries to fool the bouncer into thinking he's important by puffing up his chest and striding in. It doesn't work, and he's forced to try a second plan, sneaking in under another patron's shadow. He gets caught and spends his time being chased by the bouncer throughout the theater.

Rival Romeos
5.6

Rival Romeos

Mar 18, 1928

Oswald is off to see his sweetheart when he is passed by a rival in a faster car. He takes the lead, though, when both drivers encounter a mud puddle; Oswald isn't afraid to get a little dirty, while his competitor is. Oswald arrives and serenades his love, hampered by the animals in the yard. The rival shows up and they fight over the girl, during which time she slips away with a third suitor.

Great Guns
5.8

Great Guns

Oct 16, 1927

Oswald's country is at war, like many other volunters he joins the army and finds himself soon in the trenches. A short battle leaves him wounded, but at least in the field hospital where his girlfriend is working.

Mamori
4.8

Mamori

Jan 13, 2010

Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.

Enigma: Nazo
7.0

Enigma: Nazo

Jul 12, 1978

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

The Stolen Portrait
0.0

The Stolen Portrait

Jan 1, 1976

A sarcastic horror parody of comic book series from the 1930s.

Divisional Articulations
5.0

Divisional Articulations

May 24, 2017

Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.

The Triplets of Belleville
7.4

The Triplets of Belleville

Jun 11, 2003

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

Banner of Youth
5.0

Banner of Youth

Jan 1, 1957

A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.

No Image Available
5.8

Study No. 9

Dec 1, 1931

An experimental short from Oskar Fischinger

It's Such a Beautiful Day
7.9

It's Such a Beautiful Day

Aug 24, 2012

Bill struggles to put together his shattered psyche.

Josephine
0.0

Josephine

Oct 22, 2016

A mysterious woman watches her house burn down and goes on a cathartic journey.

Scope
0.0

Scope

Jan 1, 2012

This is no animation, it's one picture. Short experimental film by Mirai Mizue

Blend
0.0

Blend

Jan 1, 2009

This short experiments with the flow of oil ink over the surface of the water. Mizue manipulated the ink by blowing with straws or stirring with toothpicks and used stop motion animation techniques to shoot the resulting effects.

Port of Wormy
0.0

Port of Wormy

Jan 1, 2009

A surreal short animation by Mirai Mizue.

Drums West
7.2

Drums West

Dec 31, 1961

This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.

Shearing Animation
6.8

Shearing Animation

Jan 1, 1962

An abstract animated film inspired by the work of jazz musician Chico Hamilton.

Abstract feat. Alkama
0.0

Abstract feat. Alkama

Aug 19, 2017

Astract stop-motion short film using "lightning doodles" by Tochka.

Impromptu
10.0

Impromptu

Jan 1, 2017

A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.

The Other Gods: A Tale of the Dream Cycle
6.2

The Other Gods: A Tale of the Dream Cycle

Oct 6, 2006

A prophet who longed to look upon his deities. A daunting journey to a mountain peak. A confrontation with gods too powerful to name. This is the story that inspired Peter Rhodes, who worked as a filmmaker and artist during the 1920s. Few people know of his work, and it's only through luck and perseverance that we have been able to track down the elements for this "lost" film. Rhodes' films were created using silhouette animation, a technique perfectly suited to depict Lovecraft's mythic Dreamland stories. The filmmaker's involvement in New York City's occult and literary scenes provided him with a select audience for his work. Rhodes was especially influenced through his relationships with occultist Aleister Crowley and writer H.P. Lovecraft, but it was personal tragedy that moved him to produce "The Other Gods: A Tale of the Dream Cycle," his most powerful film.