In 1971, Jean-Daniel Pollet & Guy Seligmann directed for French TV a documentary about French artist César Baldaccini. It was part of L'invité du dimanche show.
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Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.
Bjørn Nørgaard and a team of Czech glass artists in the demanding process of creating a grave monument for Queen Margrethe and Prince Henrik of Denmark.
The Arts Council commissioned this film to coincide with their major retrospective of Giacometti's work at the Tate Gallery (now Tate Britain) in the summer of 1965. A similar exhibition was held concurrently at the Museum of Modern Art in New York, sealing the artist's reputation as a modern master.
In Europe, road junctions have become public art galleries. A road trip across France, Switzerland, the Canary Islands, Greece and Germany exploring the glorious world of roundabout art.
The sculptor Stephan Balkenhol is a world star on the German art scene. Yet the artist has remained as down-to-earth as his figures themselves. His wooden people fetch top prices at auctions at Christie's, Sothebie's and Co. Despite the trend towards abstraction, Balkenhol rediscovered the figurative for himself. The human being in itself, snatched from the hectic everyday world, reflecting, with an empty gaze. The sensation lies in the ordinary. Against the pathos of monuments and memorials. The film takes a look into the world of Stephan Balkenhol and observes him at work - the portrait of an extraordinary artist.
A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.
The documentary Carving the Divine offers a rare and intimate look into the life and artistic process of modern-day Busshi – practitioners of a 1400 year lineage of woodcarving that’s at the heart of Japanese, Mahayana Buddhism.
Seeing is to painting what listening is to politics. Survival as an artist demands both. Paint Until Dawn is a documentary on art in the life of James Gahagan (1927-1999), who painted all night to push the limits of vision. His life and thought reveal a correlation between art and activism through an interesting angle: the creative process itself.
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.
An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.
With his seemingly naïve, symbolic paintings, Joan Miró formed a new artistic language in the 20th century. Brought up in Barcelona, the painter, graphic artist and sculptor was drawn to Paris and, under the influence of the surrealists, developed his unique style and poetic imagery that unite Catalan folk art and fantastic elements. Robin Lough followed the 85-year-old Miró to theatre rehearsals and went to see him in his studio on Majorca. There he met with an amazingly creative and disciplined artist, whose visionary pictures paved the way for abstract expressionism.
56-year-old artist Mindy Alper has suffered severe depression and anxiety for most of her life. For a time she even lost the power of speech, and it was during this period that her drawings became extraordinarily articulate.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)