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Houcine is a 64-year-old rag and bone amongst hundreds of them in Casablanca and whose valuable work is almost invisible. The decision of the local authorities to abolish the carts drawn by animals threatens to wipe their livelihood in the name of the modernization of Casablanca which wants to be a "Smart City". The film follows Houcine's daily routine despite his multiple health concerns.
Sam and Miguel are your typical come-what-may laborers, collecting garbage in flashy subdivisions. In their workplace, they get maltreated by two of their co-workers, sometimes getting them into trouble.
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
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The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.
A film about Slovak icons painted in the period of the late 15th to the early 19th centuries, when original Byzantine icon was ending in Slovak folk art.
Documentary illustrating the classic principles of Byzantine iconography on the examples of sixteen icons from a museum of ancient Greek art.
Poetry meets technology in this film about the cycle of the seasons. Narrated by William Shatner, and accompanied by a special digital "surround" recording of Antonio Vivaldi's The Four Seasons, the film takes audiences on a breathtaking trip through the eruption of spring, the growth of summer, the harvest and festivity of autumn, and the dormancy of winter. The beauty of the seasons is interspersed with a look at the earth as a planet, the sun as a star, and the human quest to understand the relationship between the two.
A band struggles to reconcile for a reunion tour a decade after a contentious break-up and a fatal accident.
Three men follow the life of one ten dollar bill.
An overview of the making of Rocky Balboa (2006)
Acclaimed filmmaker Akira Kurosawa has been misunderstood. Despite his public perception an a perfectionist who would clash with anyone in his way, the real Kurosawa was actually a very gentle and soft-spoken director. This documentary depicts the human being Akira Kurosawa on the set of his masterpiece "Ran".
A man shows the gentle and agressive side of Brown and Black Bears living with and around them. After "Grizzly Man" died in Alaska trying to do the same thing, it's truly amazing to watch this documentary.
Lost short film.
A documentary providing a close-up look at 25-year-old music label Less Than TV which introduced or launched many bands in the 90s such as Guitar Wolf, bloodthirsty butchers, among others. It is directed by Oishi Noriko who has worked on the live DVDs and music videos of numerous artists both at home and abroad. Rooted in punk and hard core, Less Than TV has introduced all manner of artists with "entertainment" as its only pursuit. Owner Taniguchi Jun, musician and Taniguchi's wife YUKARI, their son Tomonari, and the many companions gathered at the label personify the appeal of the eccentric label. (Japanese Film Database)
Dover made over: this quirky and pointed public information film reveals how the heavily-bombed and shelled Kent town was being replanned after the war. The filmmakers cleverly and entertainintly capture our attention by opening on travelogue cliches that they quickly undercut. It's not white cliffs and rolling hills they want to tell us about. It's present-day Dover - remaking itself in the crisp freshness of a postwar spring.
Retrospective documentary on the making of the horror film 'Dolls'
