10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.
Artist John Smith tells stories about tower block life, editing in bold, unconventional fashion, cutting into the material and highlighting the components and conventions of the film form - yet an intimate portrait of the block's inhabitants still emerges.
The story of the credit bubble that caused the financial crash. Through interviews with some of the world's leading economists, including housing expert Robert Shiller, Nobel laureate Joseph Stiglitz, and economic historian Louis Hyman, as well as Wall Street insiders and victims of the crash including Ed Andrews - a former economics correspondent for The New York Times who found himself facing foreclosure - and Andrew Luan, once a bond trader at Deutsche Bank now running his own Wall Street tour guide business, the film presents an original and compelling account of the toxic combination of forces that nearly destroyed the world economy.
This is a story about a five-year battle waged between the farmers of two villages and the local government over land-use rights. This documentary illustrates the subtle changes being made to the rules of the game between officials and citizens, and provides deep human insight into the loss, despair and increasing awareness experienced by common farmers in the pursuit of land-use rights.
85 years old and never married, Shizu has spent the past 3 decades living in one "Danchi" - the Japanese word for public housing - and filling it with the lifetime of souvenirs that have always kept her company. When the danchi is scheduled for demolition, Shizu and neighbors must say goodbye to their homes, and move into newer danchi that are too small to hold all of Shizu's mementos. This intimate documentary captures Shizu's sense of humor, and profound nostalgia, as she sorts through relics of her past, and chooses which memories she must fit into her new home, and which ones she can let go of.
As Niagara Falls transformed from honeymoon capital of the world to Las Vegas North, corporate hotel chains and casinos cast a long shadow over the independent motels that once populated the town. The Continental survived the transition by converting its rooms into affordable housing units, becoming a home for those with few places to go. The night manager, Brian, once a freelance photographer who survived the horrors of war in Vietnam, shares his duties with his colleague Linda. Together they manage both the Continental and the individual struggles of its tenants, providing more than a roof over the heads of those who live under their supervision. Bringing a fresh focus to one of the most photographed places on Earth, director and cinematographer Jesse McCracken develops an intimate and caring portrait of the residents of this modest micro-community set against the backdrop of neon-lit tourist attractions.
A power-cut in a great apartment building brings the tennants together.
Residents of a shanty town are faced with its destruction. With the help of the local trickster, Paja "the Bighead" moves with his family to an empty flat in New Belgrade blocks. Everything goes fine until the real owner knocks at the door.
Real estate agent John Dante has a problem. He's stuck with a house he can't sell. Despite his best efforts, he can't seem to overcome the house's past and the macabre tales that precede it in this haunting anthology. In the first story, THE MORNING AFTER, a group of friends wake up from the party of a lifetime to find a nightmare in the form of the worst bug invasion any homeowner has ever seen. Then there's Freddie Cooper and his band, FREDDIE AND THE GOBLINS; a tale of how Freddie's band mates try to kick him out and get caught up in the young singer's growing psychosis. With his hopes of selling the house fading, John is horrified to hear the story of Robbie, a young veteran of the war in Iraq, who returns home to live with his father Brad in FATHER LAND. Something isn't right, though, as Robbie's dark secret slowly bubbles to the surface. As the house's dark past comes to life, John becomes weary and is convinced the house is cursed and unsellable.
The young couple Han-gyeol and Go-woon are staying in a Sauna with their son Woo-rim. One day, Woo-rim gets badly hurt and to save hospital bills, Han-gyeol enters an empty house of the old lady he got to know while working on delivery. It’s a perfect home for the family but they can’t stay there forever. The sweet dream will end when the old lady comes back from trip.
In a city overflowing with buildings and slums, Smita must find herself a house to rent. She is hard-working, honest and respectful - the ideal tenant - except for one glaring flaw. She is a middle-class Indian woman without a husband. An intimate perspective on the identity of the 'Ideal Indian Female' in urban India of today.
Young real estate agent Clara Morales encouraged risky loans to her clients during the housing boom. She must now rescue her father’s home from foreclosure - a consequence of the loan she advised him to take.
The director/researcher speaks about her migration, and her complex relationship with her field of studies in Rajasthan. This movie is built on the basis of a musical collaboration between the researcher and Salim Khan, a musician.
Jeff Koons is widely regarded as one of the most influential, popular and disputed artists of the last 30 years. Koons transforms mass-produced, everyday objects into the highest art forms.
Reggae exploded in the 1970s and Cimarons, the UK's first reggae band, formed in 1967, were at its heart. Thousands of miles from Jamaica, they brought excitement, experimentation and sheer anticipation to a new generation of Black British youth, putting them in touch with their roots. Harder Than The Rock celebrates Cimaron's storied history and explores the band's overlooked impact and influence as they persevere against all odds and dream of playing to live audiences again, one last time...
Documentary about the Japanese rock band THE BACK HORN, directed by Kazuyoshi Kumakiri.
Thirty years in the making, this documentary follows the journey of four brothers in their search for both the Indigenous wisdom of Turtle Island and a greater personal understanding and inner peace.
The new reality of artificial life. As tech companies race to dominate the artificial intelligence market, experts warn we're not prepared for what happens next. Grace Tobin investigates the misuse and abuse of generative AI.
The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.
The Japanese expression 'Ichi-go Ichi-e', in a broader sense, we can translate it as 'the encounter of a lifetime'. With a person, with a situation but also with a country, demonstrating how cultural distances can be overcome.
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