Documentary about what makes a house a home.
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A film featuring architect, sculptor, and musician Nobuo Kubota in a sound-sculpture performance. From within a cage-like structure filled with traditional musical instruments and sound-making devices fashioned from ordinary objects and toys, Kubota creates an aural/visual montage of musical notes and noises. Praised by music educators as a valuable tool for teaching creativity in sound exploration and musical innovation, the film reveals the infinite percussion possibilities of simple objects and presents a portrait of a versatile performer whose imagination has led him far beyond the confines of conventional music. Directed by Jonny Silver - 1982 | 20 min
Fidgeting fish, dancing on the train, big stages – we scroll through a phone gallery. How do you find your own identity between ever-changing trends? When do the borders between real and virtual life blur? A documentary about a self-made musician who wants to stand her ground in a digital world.
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As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Mike Tyson escaped a life of poverty and petty crime to make a name for himself, becoming the youngest Heavyweight Champion of the World and a household name—but his rise was followed by a very public fall. In this remarkably candid portrait, the boxer addresses his controversial past, including the rape charge that sent him to prison and his struggles with substance abuse, while also detailing his ultimate recovery and comeback.
The theme of this film is the children's view on the destruction of a working-class area. The loss, for them of the dilapidated alleyways and waste ground where they met up and played. Their anger, their futile revolt against the demolition workers only serve to confirm their powerlessness and status as social outcasts.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
As we live through the deepest cost of living crisis for over fifty years, archive footage of Yorkshire and the North East reflects recurring cycles of boom and bust, and the fury of generations whose essential needs for safe housing, secure work and full bellies go unfulfilled. Increased fuel prices, food banks and government tips for saving money bring a sense of déjà vu -- a past that feels uncomfortably contemporary.
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.
What compels a man to push the limits of what is attainable ever higher? After thirty years of relentless struggle with the highest peaks on earth, Marc Batard has finally found the answers to these questions. He had to reach the summit of Everest twice, once shattering the record for fastest time in 24 hours without oxygen, and climb the most difficult faces of the Alps to glimpse the path to inner healing. It was through physical suffering that he was able to confront the pain of his soul. He was finally able to talk about the violence of his childhood, the shock he carried like a ball and chain for decades. Having completed his summit therapy, Marc Batard tells his story in this documentary by Gilles Perret.
After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”
A woman who has become part of literary heritage, the only French writer to be awarded the Nobel Prize in 2022, she has made her life the basis for her work since the publication of her first novel in 1974... What can be said that her books haven't already said? On the occasion of her grand return to her hometown in Normandy, as she explores the places of her early childhood, this icon of several generations looks back on her youth and what made her the committed woman and writer she has become. Through a geographical and narrative journey covering her first 25 years, which resonated throughout the following 60 years, the film—the only one she has agreed to participate in since winning the Nobel Prize—offers a "different" portrait of Annie Ernaux, interweaving her personal memories, her writings, and the history of the 20th century.
The Fall of the I-Hotel brings to life the battle for housing in San Francisco. The brutal eviction of the International Hotel's tenants culminated a decade of spirited resistance to the razing of Manilatown. The Fall of the I-Hotel works on several levels. It not only documents the struggle to save the I-Hotel, but also gives an overview of Filipino American history.
This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.
Whether famous or anonymous, stars or prisoners, models or sex workers, women have always been at the center of Bettina Rheims' photographic work since her debut in 1978. Both subversive and glamorous, trashy and sophisticated, her photographs mark and bear witness to the upheavals of the era, which this leading photographer both anticipated and accompanied.
