Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
New Jersey, June 18, 1994. Giants Stadium is awash with green as Irish soccer fans arrive to watch Ireland's opening World Cup match against the mighty Italy. The sense of optimism is infectious. The Celtic Tiger is in its infancy. Bill Clinton's decision a few months earlier to grant a visa to Irish Republican leader Gerry Adams has added momentum to an embryonic peace process. Jack Charlton's team walks onto the pitch before 75,000 fervent spectators who've traveled from across the globe for this game.
The greatest sport event in Sweden ever was without a doubt the soccer world cup of 1958. The film Conspiracy'58 is about the people who were there but most of all about the people who claim that it never took place at all.
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.
A look at the April 15, 1989 tragedy at Hillsborough Stadium in Sheffield, England, where a stampede in the stadium's standing-room-only areas killed 96 people and injured 766. The film also examines the ongoing efforts of victims' families to seek truth and justice, as well as tangible effects on English football, including stadium upgrades and the emergence of the English Premier League.
Starting with a Nazi plan to steal the Rimet Trophy from Italy during World War II, the story unfolds like a great caper film. Our hero, Ottorino Barassi, a mild-mannered Italian soccer official, tries to protect a valued treasure.
Paddy McGuinness celebrates the humour, imagination and blockbuster entertainment that footie ads have brought viewers over the last 30 years.
In the 1986 World Cup, Diego Maradona, the world's greatest football player, reached his apotheosis, redefining what is possible for one man to accomplish on a football pitch. His ability to take control of the ball -- the game -- an entire tournament -- split the world in two. It was both illuminating and an affront, beguiling and an outrage, and the fervor that surrounded him was unprecedented, bordering on the religious. Constructed from archive material, "Maradona '86" is an ode to this ultimate footballing idol, basking in the operatic intensity of his performance in Mexico as he wrote his name on football history forever.
A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.
Rehearsals for a play about Maradona in Naples, with Italian actors and an Argentine director. Nothing about Maradona except anecdotes about his figure from the Neapolitans; one of the actors had come to play football. They were all 'touched' by Maradona, as is logical. Pennac is very intelligent, but he has never seen a ball in his life: his fascination comes from the public figure of Maradona, from the totem, from the stupor that invaded him when many friends confessed to having cried at his death. The spectator, Maradonian or not, has an irrepressible desire to travel to Naples and join the song that he sees towards the end of the film, which is moving and overwhelming in its beauty and simplicity. Ideal for theater lovers, or Maradona lovers, or both.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.
A docu-film that traces the victorious ride of Mancini's Azzurri, from the debut match to the final against England. A troupe lived with the Azzurri for a month, to bring the spectators into the lives of the players and all the members of the staff, between training sessions, matches, travels and celebrations. An adventure told through the voices of the protagonists, who confided dreams, joys, pains and hopes to the cameras. "Blue Dream, the road to Wembley" is the completion of a project started a year ago together with the FIGC, to tell the national team's approach to the European Championships through the 4 episodes aired in the days immediately preceding the European Championship, bringing the new television language of the docu-series to one of the most important time slots of the first generalist network. "Blue Dream, the road to Wembley" is a project of the New Formats Development Department
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
The crowd is the focus of this documentary, which presents historical scenes of the Brazilian Championship. Irreverent and poetic, the movie pays homage to the spectacle provided by football.
"Players and coaches may change, but supporters will remain loyal to their beloved team until the end of their life." Lintang Sae Martasari is a football supporter of her pride football team, PSIM Yogyakarta. Lintang is a member of Brajamolek (women supporters of PSIM Yogyakarta) and serves as vice chairman. She never fails to watch and support her team. Even though she often gets mocked by people who see the football supporters as gangs of vandals, rioters, and brawlers. On top of that, she also struggles against the stigma associated with female supporters.
The reality of women's football (soccer) in France.
This entertaining documentary of the World Cup Soccer tournament of 1966 follows the 15 countries competing for the sport's most coveted prize. Nigel Patrick narrates, with commentary provided by Brian Glanville. The executive producer spent $336,000 on the production and used 117 cameras to record nearly 48 hours worth of action. Four editors were employed to create the final 108-minute feature.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
Himself
No Trailers found.
