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The first Soviet anti-religious film.
A woman has second thoughts about her socialite fiancé when she finds a grey veil in his overcoat. When she discovers that the veil belongs to the owner of a beauty shop, she begins to investigate.
On May 1st, unions all over Japan celebrate May Day, the international day for workers. Workers gather together at parks and hold demonstrations and parades. May Day has its origins in a strike that occurred in the United States on May 1, 1886, a strike that called for an eight-hour workday. Prokino recorded the May Day every year from 1927 to 1932. Among these films, this work is the only one that has survived. However, only its first part has survived. The original film depicts the march to the Ueno Park where the rally was dismissed. Iwasaki Akira coordinated the entire Tokyo Prokino organization as it photographed the 1931 May Day celebrations. They shot in both 16mm and 35mm (other 35mm productions were planned, but this is the only one that achieved completion). A 16mm print was circulated around the countryside by mobile projection units, and a 35mm print was shown at Soviet film nights in Tokyo and Osaka.
Thomas Graal's a screenwriter, is very fond of his secretary Bessie. Overtaken by a kiss by Thomas she runs away. In his misfortune Thomas writes a screenplay inspired by Bessie. But she has not been really honest with him. 31 minutes of runtime are missing and presumed lost.
A young husband just wants to spend a quiet evening at home with his wife, but her collection of zany friends make hash of his hopes.
Ilda Barosky, a Jewess whose father was killed by Russian soldiers, is a violin student in love with Alexis Nazimoff, son of the Russian aristocracy. Alexis' father arranges a marriage of convenience between Alexis and Olga Karischeff, the daughter of the ambitious minister of police and attempts to shame Ilda at the betrothal celebration. Defiant, Ilda is whipped before the entire assembly. Alexis rushes in to rescue her and terminates his engagement to Olga. In retaliation, Karischeff sentences both Ilda and Alexis to ten years in Siberia as his last official act. The couple attempt to escape their Siberian captivity, are caught and face a firing squad until Count Nazimoff, who has assumed Karischeff's position as minister of police, arrives with a pardon. The couple return home, and the penitent count finally grants them his blessings.
A cautionary tale for aspiring flappers. Five of six reels survive.
Neil McRae, an impoverished composer, loves Cynthia Mason, but, fearing poverty, proposes to wealthy Gladys Cady. Can he compose himself and find the courage to seek love over comfort?
Insecure Beatrice Ridley lets her jealousy of her husband get the better of her when he begins receiving letters each morning from the Honeysuckle Inn, a roadhouse frequented by sportsmen. Consulting young attorneys, Widgast and Pidgeon, she finds their wives also suspicious about the goings on at the Honeysuckle Inn. Madcap complications ensue when all the characters meet there before everything is straightened out for all three couples.
Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.
A 1922 film directed by Frank Lloyd.
A 1925 film directed by Sidney Franklin.
A 1919 film directed by Sidney Franklin.
A 1924 film directed by John Francis Dillon.
A young author, Everett Dryden Hale, has written a book of such strength and originality that it becomes one of the best sellers. The book is entitled "Waifs" and deals with the underworld, a subject of which Hale, who is a New Englander with a Puritanical strain, knows by personal experience, practically nothing at all.
Georg von Melsungen
Annemarie
Jerôme Bonaparte
Charlotte
Lieselotte
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