Chouchou
Old lover
Vova
No overview available.
The story of two feuding Irish immigrant families living in a tenement.
Lawyer Hanover Priestley plots with his friend Henry Winkley to marry off young heiress Leila Calthorpe to Winkley's nephew, John Warren. When John refuses, preferring to select his own wife, they lure him east by a false report of Winkley's death. Indignant at his rebuff, Leila disguises herself as Perkins, a maid, and romances him, leading him to believe that Aunt Agatha is the heiress. Complications develop, and after saving her from a fire John discovers her identity and agrees to marry her.
Eve Orrin is at the mercy of her possessive mother, who has a case of "nerves" every time her daughter tries to show a mind of her own. Mrs. Orrin and her friend, Mrs. Marchant, have determined that Eve will marry Mrs. Marchant's milquetoast son, Henry, and Eve is willing to go along with it just to placate her mother. But Eve herself finally has an attack of nerves, and she falls in love with Doctor Harmon, the physician called in to care for her.
A woman has second thoughts about her socialite fiancé when she finds a grey veil in his overcoat. When she discovers that the veil belongs to the owner of a beauty shop, she begins to investigate.
A lost film - Mary Gray, whose father manufactures cold cream, is engaged to sappy Horace Niles, the son of Hugo Niles, the elder Gray's most competitive rival in the cosmetics business. Chip Armstrong, a hot-shot public relations man, quits the employ of Hugo Niles and goes to work for Gray, persuading Mary to enter the Miss America contest at Atlantic City, with the intention of using her to endorse her father's cold cream should she win. Mary breaks her engagement with Horace. When it appears that she will win the contest, Hugo lures her home on the pretext that her father is ill, and she misses the contest. Chip and Mary return to Atlantic City, discovering that the new Miss America has told the world that she owes all her success to Gray's cold cream. On this note, Chip and Mary decide to get married.
A home, a motorcar, servants, the latest fashions: the most eligible and most finicky bachelor in Paris offers them all to Gigi. But she, who's gone from girlish gawkishness to cultured glamour before our eyes, yearns for that wonderful something money can't buy.
The story of a ruddy-cheeked rural postman who dabbles in poetry-writing on the side. He utilizes his hobby to spread a bit of sunshine throughout the village, at one point reuniting a long-estranged family.
Based on the novel and play by W. Notari. The movie is not fully preserved, without inscriptions.
Bill Peck is discharged from an army hospital and goes in search of a job. Cappy Ricks hires Bill, but gives him an seemingly impossible test of finding and buying a particular blue vase to prove he can handle a challenging job in China.
A 1924 film directed by John Francis Dillon.
Famous playwright Paul Worden decamps to a country bungalow to work on a new play, rehearsing with his leading lady, Marjorie Sinclair, who is staying nearby. Going riding one day to relax, Paul rescues his neighbor, teenager Diana Ardway when her horse runs wild. The pair clash initially, as she does with Marjorie, but after a series of misunderstandings true love triumphs.
Insecure Beatrice Ridley lets her jealousy of her husband get the better of her when he begins receiving letters each morning from the Honeysuckle Inn, a roadhouse frequented by sportsmen. Consulting young attorneys, Widgast and Pidgeon, she finds their wives also suspicious about the goings on at the Honeysuckle Inn. Madcap complications ensue when all the characters meet there before everything is straightened out for all three couples.
To keep his social-climbing wife and daughters in the lifestyle to which they are accustomed, wealthy George Hunter makes some large investments in the stock market, but the stocks crash and he loses a great deal of money. His wealthy aunt offers to bail the family out, but complications ensue.
The first Soviet anti-religious film.
A 1919 film directed by Sidney Franklin.
A 1925 film directed by Sidney Franklin.
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