Thanks to his life and work, Goya remains as one of the most capable artists when capturing the human condition, and the most rigurous portrayer of the society of his time.
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A look at the feud between graffiti artists King Robbo and Banksy.
TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its viewers on a journey into the world of Hopper, sharpening their senses for some aspects of his unique work.
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This surreal abstract film falls into three sections, or movements, the first taking place on the ground, the second in the air and the third again on the ground. In the first movement various motifs or themes are introduced, which are again picked up and developed in the third movement. Six spheres, evolved in the first movement, become the sole subject matter–or “dancers”–of the second movement, which consists of a simple type of ballet using the floor-plan choreography or traditional ballet as a basis of interest.
In 2014 a large painting representing Judith Beheading Holofernes was discovered in an attic in Toulouse, France. A controversy ensued immediately about the attribution of the painting's authorship to Caravaggio. The documentary follows a famed art expert in charge of organizing the sale of the painting on behalf of the owners, while specialists debate on its authenticity.
Marking the 500th anniversary of Raphael’s death, the greatest exhibition ever held of his works took place in Rome. Exhibition on Screen was granted exclusive access to this once-in-a-lifetime show. With over two hundred masterpieces, including paintings and drawings – over a hundred of which have been brought together for the first time – this major exhibition celebrates the life and work of Raffaello Sanzio da Urbino.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
This feature documentary portrays one of the most important museums in the world, the Kunsthistorisches Museum Wien. It presents a unique look behind the scenes of this fascinating institution and encounters a number of charismatic protagonists and their working fields unfolding the museum’s special world – as an art institution as well a vehicle for state representation.
A documentary that explores the dangerous and sometimes deadly world of fake products. An industry that once dealt in imitation designer handbags and shoes has exploded into a global epidemic of counterfeit pharmaceuticals, foods, toys, electronic goods, car parts and microchips. COUNTERFEIT CULTURE challenges consumers to take a deeper look at what appears to be harmless knock-offs at bargain prices.
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.
A sick man discovers empathetic wisdom on how to cope with his deadly autoimmune disease within the colorful expressive works of the late Swiss-German modern artist, Paul Klee.
Beth Moore-Love is perhaps the greatest living artist working in America today. Her works can be found in private collections throughout the United States and Europe. She is a national treasure and yet, she is virtually unknown. Filmmaker Larry Wessel is determined to change that with his nine year labor of love.
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