The function of the wrestler is not to win. It is to go through the motions that are expected of him.
No Cast found.
This animation can be watched in 2D or using Chromadepth Glasses in 3D.
An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.
An anxiety inducing exploration of juicy colors and crunchy textures driven by chaotic electronic music.
Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.
With a rushing smear, a cyclist begins his race.
A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.
A person living in Liberty City goes to work, have some food & gets back home.
Bizarre abstract stop-motion animation questioning traditional values in a period of great social upheaval.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
Death takes centre stage and faceless spectators applaud the inevitable in a series of murderous dreams.
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
A student finds out he is late for his train.
A burst of cheer and refreshment that it seems perfectly suited to a late July afternoon.
A trip towards abstraction, as an hypothesis on how mountains might have been formed.
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
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