An exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.
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A burst of cheer and refreshment that it seems perfectly suited to a late July afternoon.
A student finds out he is late for his train.
The function of the wrestler is not to win. It is to go through the motions that are expected of him.
A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.
A person living in Liberty City goes to work, have some food & gets back home.
An anxiety inducing exploration of juicy colors and crunchy textures driven by chaotic electronic music.
Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.
With a rushing smear, a cyclist begins his race.
Death takes centre stage and faceless spectators applaud the inevitable in a series of murderous dreams.
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
This animation can be watched in 2D or using Chromadepth Glasses in 3D.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
Bizarre abstract stop-motion animation questioning traditional values in a period of great social upheaval.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
A trip towards abstraction, as an hypothesis on how mountains might have been formed.
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.
Two Space systematically explores symmetries used by Islamic artists to create abstract temple decorations. The two dimensional patterns, like the tile patterns of Islamic temples, are generated by performing a set of symmetry operations (translations, rotations, and reflections) upon a basic figure or tile. Two Space consists of twelve such patterns produced using each of nine different animating figures (12 x 9 = 108 total). Rendered in stark black and white, the patterns produce optical illusions of figure-ground reversal and afterimages of color. Gamelan music from the classical tradition of Java adds to the mesmerizing effect.
