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Dom Juan
Sganarelle
Elvire
Gusman
Dom Carlos
Dom Alonse
Dom Louis
Charlotte
Mathurine
Pierrot
La statue du Commandeur
La voix du Commandeur
Members of an otherwise typical New York Brooklyn family are "tortured" by a kind of hereditary madness. In the meantime, the adopted nephew Mortimer tries to do everything to protect his two aunts, who indulge in a variety of dangerous acts, such as poisoning lonely and homeless elderly people, and burying them in the basement of their house. When another niece, Jonathan, arrives, the situation will spiral out of control. The play was released on DVD by Radiotileorasi magazine in December 2010 (78th DVD of the "ERT Cultural Film Archive" series).
La Cage aux Folles "The Cage of Madwomen") is a 1973 French farce by Jean Poiret centring on confusion that ensues when Laurent, the son of a Saint Tropez night club owner and his gay lover, brings his fiancée's ultraconservative parents for dinner.
No overview available.
After accidentally killing her lecherous producer, a famous actress tries to hide her guilt.
A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.
As Blanche’s fragile world crumbles, she turns to her sister Stella for solace – but her downward spiral brings her face to face with the brutal, unforgiving Stanley Kowalski.
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.
Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
In the midst of the Hundred Years War, the young King Henry V of England embarks on the conquest of France in 1415.
A professional card player and swindler, Icharev, arrives in a small town with a plan to rip off some local jackdaw if possible. However, a trio of local, experienced swindlers have the same plan. They want to play cards with Icharev, but they immediately recognize each other's personalities. The fun continues, but the group regrets that they have no one to play with. There is a local landowner, Glov, but he avoids cards like the devil. And yet he is waiting for two hundred thousand rubles from the bank for the sold piece of land. Of course, the gentlemen will not miss their chance... A recording of a theatrical production by the Drama Club in Prague.
The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.
