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An explosive comedy, by the author of I really like what you do. Definition: Weapon of mass destruction with dreamy measurements, "babysitting" your children during the holidays. Put it there with a neurotic mother in full "post-natal" depression, a father who is in his midlife crisis, a friend of the heavy flirtatious incorrigible family and note the damage: An explosion ... of assured laughter.
Two neurotics, working for a suicide hotline on the night of Christmas Eve, get caught up in a catastrophe when a pregnant woman, her abusive boyfriend, and a transvestite visit their office.
After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.
When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.
An accountant, presumed honest, inadvertently finds 7 million francs in his bag and decides to change his life.
The production of Shakespeare's Hamlet with František Němec in the title role (premiered at the Smetana Theatre in 1982) was far from enthusiastic at first. To some viewers, it seemed superficially unimpressive. On the spare stage of J. Svoboda, director M. Macháček focused on thinking through the relationships between the characters and their motivations, and cast great actors of the National Theatre in the roles. Macháček gradually revealed the story, like a detective story - from the message from the ghost of Hamlet's father about the manner of his death, through the play of the theatre company as proof of the murderer's guilt, to the final murderous finale... The production eventually became a Prague theatre hit and could certainly have been performed for a long time if it had not been withdrawn from the repertoire in 1988.
At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
A man thinks he is not the father of his presumed daughter.
Two rival artists at Sivadas Swamigal's drama troupe compete in everything they do. While one of them goes on to become successful, the other fails in life.
On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires.
In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
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