A documentary about the life and work of poet and visual artist Moacy Cirne.
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Narrator (voice)
Self
Francesco Croquete Margharette leads a journey through the thoughts of Florestan Fernandes and his work The Integration of Black People in Class Society.
In 1978, a young unknown singer with a flute-like voice captivated the world with Wuthering Heights, a song inspired by Emily Brontë's novel of the same name. Discovered by David Gilmour, guitarist with Pink Floyd, Kate Bush, aged 19, succeeded in imposing her choices on her record company: for the first time, a song composed by a woman reached the top of the UK charts.
The story of original influencer Coco Chanel, whose designs still represent the zenith of female sexuality, style and power.
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Documentary film about the great forgotten of Chilean literature. With interviews with family members, poets and artists who knew him, this feature film explores the unknown world of this mythical character of Chilean literature. His life and work, a metaphor of an unknown Chile, prior to the disputes of the 1970s, is the gateway to an aesthetic, political and human account of this great Chilean poet.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.
A portrait of the brilliant American writer Truman Capote (1924-84) and the New York high society of his time.
A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
Lucien Francoeur, rock poet of the French imagination of North America, lives the destiny he has chosen for himself at 200 miles an hour.
A gentle portrait of the mythical Spanish actor Arturo Fernández (1929-2019) in the hour of his passing, in his own words, through his latest interviews, not previously broadcast, and the words of those who knew him thorough decades of charming and good performance on stage, his true home, as well as in cinema and television.
Is it possible to travel twice to the same memory? The filmmaker built a cabin on an isolated riverbank, just opposite his childhood island, which had disappeared under the water after the construction of a dam. The goal was to go back to that place, which had become invisible. Only the trees of the island where he’d played stood firm in the middle of the water, like the masts of a broken toy boat, so the air was the only space left, the only vestige of the past to be conquered. This film is a diary of a castaway in memories: four months of a Walden experience in a lost paradise with two hens, a small vegetable garden and a clock that stopped forever at 11.36 and 23 seconds.
Besieged by cancer and nearing the end, the genius Argentine-Brazilian filmmaker Héctor Babenco (1946-2016) asks Bárbara Paz, his wife, for one last wish: to be the protagonist of his own death.
An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.
A video-letter to Thomas Hoving, former director of the Metropolitan Museum of Art in New York and author of the unforgivable "Art for Dummies".
The images from the landing of the first expedition of the spaceship Columbia are juxtaposed to a reflection on the function of the visual medium, and artistic creation as a whole.
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
