Cantonese adaptation of Daphne du Maurier's novel Rebecca.
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Somewhere in England, in the Autumn of 1955, a widowed father and his son live an idyllic life together. Only their gas station happens to sit on a piece of land that a local developer wants to buy. And when he won't take no for an answer, and sets government inspectors and social works onto Danny and his father, Danny and his father decide to get even with Hazell and his pheasant- shooting friends in a manner in keeping with their own family tradition.
Hassan-Aga’s wife waits at home for the return of her husband, long since departed for the war; but she refuses to go to him when summoned, because of a warning dream. On Hassan’s return, he throws her out of his house.
Adapted from a story in 1001 Nights, the story concerns the death of an actor and the comical incidents that occur as different people come into possession of, and attempt to dispose of, his body.
A one act play about a young doctor who ditches his safe middle-class existence to become a cowboy out West. His cowboy fantasy eventually breaks down.
Based on the 1891 short story by Rabindranath Tagore, follows life of a caretaker whose life is disturbed due to a single act of carelessness.
A beautiful, pure-hearted young woman, Maleficent has an idyllic life growing up in a peaceable forest kingdom, until one day when an invading army threatens the harmony of the land. She rises to be the land's fiercest protector, but she ultimately suffers a ruthless betrayal – an act that begins to turn her heart into stone. Bent on revenge, Maleficent faces an epic battle with the invading King's successor and, as a result, places a curse upon his newborn infant Aurora. As the child grows, Maleficent realizes that Aurora holds the key to peace in the kingdom – and to Maleficent's true happiness as well.
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostya has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol. His wife and daughter are going to Canada, and in his head he constantly turns around the question: what exactly has gone wrong? How can he put it right? Does anyone need his creative work at all, or has he just talked himself into that? Maybe Konstantin has enough energy to change things, but he strongly doubts that: indeed, why and for whom should he try. Nevertheless, the nature reserve is the right place to collect his thoughts, break the minefield of his own life into sections, and get to work.
Li's first directorial work in Hong Kong is adapted, by himself, from the Hollywood movie The Great Lie (1941) starring Bette Davis. When a husband disappears in an accident, the wife is dismayed by a social butterfly pregnant with her husband's child. To preserve the husband's blood line, the wife takes care of the expectant mother and raises the child. Featuring the two ravishing beauties Li Lihua and Sun Jinglu, Our Husband foregoes juicy feuds between the leads and delivers an allegorical message: parents should provide an ideal environment for the next generation. Addressing the rocky times in China, it is equally overt in its remonstration as Yung Hwa's earlier works, The Soul of China and Sorrows of the Forbidden City.
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.
This is a book excerpt adaptation from Anna Akana's "So Much I Want To Tell You: Letters To My Little Sister"
Juha lives together with younger woman Marja. Juha loves her, but Marja seems to belong to somewhere else. Things get complicated when casanova Shemeikka arrives from strange lands and takes Marja away with him.
Olli Suominen fancies his teacher and other shenanigans.
The most beautiful man in the world, who, sick of being objectified, devises a plan to free himself of other's attention.
Tasmania, 1954: Slovenian migrant Melita abandons her husband and young daughter, Sonja. Sonja's distraught father perseveres with his new life in a new country, but he is soon crushed into an alcoholic despair, and Sonja herself abandons him at the earliest opportunity. Now, nearly 20 years later, a single and pregnant Sonja returns to Tasmania's highlands and to her father in an attempt to put the pieces of her life back together.
Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
Kuttappayi, a young boy, is miserable and desperate as he starts writing a letter to his grandfather from a place, dim and dark. Kuttappayi's recollections takes us to the picturesque locations of Kuttanad, where Kuttappayi and his grandpa, Valiyappachayi, are arriving with their ducks. The village is as pleasant as it can be even though what brings him there is the death of his dearest parents. With hope and freedom, he is about to start his life afresh among the village's letter-less postman, the nameless dog, the rich lad, Tinku and many more.
Based on the 1921 novella of the same name by one of China's most well-known modern writers, Lu Xun (Lu Hsun), the True Story of Ah Q is set during the 1911 revolution. Ah Q is a lowly peasant who wants to rise above his class, or at least get out of his grinding poverty. At first he thinks the way to do it is by marrying into a better station in life; later, he joins the revolution as he feels that is the only way he and others like him can transcend poverty. In this film version of Lu Xun's story, the character of Ah Q might benefit from a more rounded humanity to make him appealing to those not familiar with the harsh environment in China before the 1911 revolution.
Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.
Maria grows up in a seedy 1960s working class neighborhood, the daughter of an ambitious emigrant father and soon caught up in her own dangerously one track-minded pursuit of a violinist's career. A rich gallery of highly original characters contribute, for better and for worse, to Maria's coming of age. Based on Kirsten Thorup's critically acclaimed 1982 novel, filmed by Morten Arnfred.
Babae...Ngayon at Kailanman is a film adaptation of three Filipino short story masterpieces: Nick Joaquin's "May Day Eve", Amador Daguio's "Wedding Dance" and Wilfrido Nollega's "Juego de Prenda.
