A one act play about a young doctor who ditches his safe middle-class existence to become a cowboy out West. His cowboy fantasy eventually breaks down.
No Trailers found.
Lloyd Newson interviewed more than 50 men asking them frank questions, initially about love and sex. One of those men was John.
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
Palle Hagman is a charming dreamer with great and dazzling powers of persuasion. His dream is to become a big star in the entertainment world. When he gets the chance to put on a variety show, he believes that the road to success is wide open. But Palle is a great optimist, and when the setbacks become too many, he is forced to resort to "white lies" to save himself and his family...
Comedian Jim Norton tackles the twisted state of the 21st century, including how modern technology affects everything from free speech to hooking up.
When Madea gets sick, her family comes to her aid. What they don't realize is that they're the ones who need her help. As always, Madea's cockeyed outlook on life saves the day and guarantees side-splitting laughs along the way.
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determined to destroy their hopes for a future together.
Ikhariev is a professional gambler who made his fortune by cheating. Having just won eighty thousand roubles, he comes to try his luck again at a new inn. He is accosted by three men, also cheaters, who offer to join forces with him to ruin their new prey: young Glov, heir to a rich landed estate.
Academy Award® nominee Ralph Fiennes (The English Patient, Schindler’s List, Oedipus at the National Theatre) plays Jack Tanner in this exhilarating reinvention of Shaw’s witty, provocative classic. Jack Tanner, celebrated radical thinker and rich bachelor, seems an unlikely choice as guardian to the alluring heiress, Ann. But she takes it in her assured stride and, despite the love of a poet, she decides to marry and tame this dazzling revolutionary. Tanner, appalled by the whiff of domesticity, is tipped off by his chauffeur and flees to Spain, where he is captured by bandits and meets The Devil. An extraordinary dream-debate, heaven versus hell, ensues. Following in hot pursuit, Ann is there when Tanner awakes, as fierce in her certainty as he is in his. A romantic comedy, an epic fairytale, a fiery philosophical debate, Man and Superman asks fundamental questions about how we live.
The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
Rosario and Carlos, husbands, are part of a theater company. In a scene of jealousy, she should shoot and kill him. Carlos has had an affair with Zulma, another acriz of the company. On opening day, in the final scene, Rosario accidentally kills her husband. Someone change the gun ...
Based on the play by Hélène Cixous, filmed in 2002, Tambours sur la Digue is a story written by Hélène Cixous based on an ancient Asian fable about who shall be saved during a flood and presented by live actors as puppets and puppeteers, evoking the theatrical traditions of Japanese Noh and bunraku.
Konstantin, a songwriter and master guitarist, runs away from numerous problems to the nature reserve Mikhailovskoye. Kostya has long lost any way of income and has almost given up hope to be heard, living by sheer inertia and often drawing on alcohol. His wife and daughter are going to Canada, and in his head he constantly turns around the question: what exactly has gone wrong? How can he put it right? Does anyone need his creative work at all, or has he just talked himself into that? Maybe Konstantin has enough energy to change things, but he strongly doubts that: indeed, why and for whom should he try. Nevertheless, the nature reserve is the right place to collect his thoughts, break the minefield of his own life into sections, and get to work.
Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.
In this through-the-years saga about a show business family, the fame of husband and wife vaudeville headliners of the 1880s is eclipsed by their son.
Two sisters (Riya) and (Skina), start a gang to kidnap rich women with the help of Riya's husband. Skina, in an effort to avoid suspicion, try to marry a policeman who is not aware of the sisters' criminal activity.
The ups and downs of three generations in an acting family.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young man is guilty or innocent of murdering his father.
Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.
The doctor / prisoner
Guitarist
