An orphan of the Rwandan genocide travels from Kigali to the countryside on a quest for justice.
Trailer
Munyurangabo
Sangwa
Sangwa's Father
Gwiza
Poet
Sangwa's Mother
Ngabo's Father
Father's Killer
Market Fighter
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
The story of Dian Fossey, a scientist who came to Africa to study the vanishing mountain gorillas, and later fought to protect them.
Two brothers are divided by marriage and fate during the 100 horrifying days of the 1994 Rwandan genocide.
A young Tutsi woman and a young Hutu man fall in love amid chaos; a soldier struggles to foster a greater good while absent from her family; and a priest grapples with his faith in the face of unspeakable horror.
No overview available.
A teenager is rescued from war-torn Rwanda and brought to the United States. He Struggles to fit in but has little luck till he meets a has been boxing coach. Together they prepare for the fight of their lives...
Rwanda. Summer of 1994. Didi (12) survived thanks to her smarts and hatred for all living creatures, especially humans. Eric (8) survived thanks to his wild imagination and sensitivity. The two kids of opposite tribes are forced to venture together into the post massacre land in search for food, new home and their lost souls.
Two white Italian actors play Black Rwandans in a fact-based tale set during the Rwanda genocide.
In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.
Following the story of a genocide survivor as well as son of a killer, the film revolves around the meaning of an old coat and its symbolic value for the young boy’s dramatic past. (African Film Festival, New York)
We meet ornithologist Anna in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anna manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor – Crystal Globe, KVIFF 2005), but after his death in 2014 she eventually finished this challenging picture alone.
A campaign is launched to prevent peasants from leaving the countryside for the city. The village tries to adapt the advice of the technicians for self-sufficiency.
Mountain Gorilla takes us to a remote range of volcanic mountains in Africa, described by those who have been there as ""one of the most beautiful places in the world"", and home to the few hundred remaining mountain gorillas. In spending a day with a gorilla family in the mountain forest, audiences will be captivated by these intelligent and curious animals, as they eat, sleep, play and interact with each other. Although gorillas have been much-maligned in our popular culture, viewers will finally ""meet the legend"" face to face, and learn about their uncertain future.
The aftermath of the Rwandan genocide: A student theatre troupe tours Rwanda with a comedy about the genocide, a gang of killers gets rough justice at the local genocide court, and a prosecutor investigates a priest for the murder of five Tutsi children. Meanwhile, in neighbouring Tanzania, two of the genocide's leaders face the United Nations tribunal in snappy suits, defended by a panoply of French lawyers.
Coexist tells the emotional stories of women who survived the Rwandan genocide in 1994. They continue to cope with the loss of their families as the killers who created this trauma return from jail back to the villages where they once lived. Faced with these perpetrators on a daily basis, the victims must decide whether they can forgive them or not. Their decisions are unfathomable to many, and speak to a humanity that has survived the worst violence imaginable.
In Rwanda, Africa, a new era is dawning after a brutal civil war ripped through the country, killing close to two million people and wiping out its most iconic wildlife: the regal lion. Now, 25 years later, the big cats are being reintroduced to the region to reclaim their throne. Follow this magnificent seven, a collection of five females and two males, as they travel thousands of miles from South Africa to Akagera National Park and attempt to figure out their new land, form relationships, and restore the pride of a nation.
Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)
More than twenty years after her murder, Sigourney Weaver recounts Dian Fossey's transformation from researcher to conservation activist.
After meeting his Rwandan father in Montreal for the first time at 28 years old, Québécois journalist Sébastien Desrosiers sets off on an existential quest to his ancestral land in search of answers.
Eliseé survived the Rwandan genocide as a child. Today he leads an orphan acrobat group in a country, which heavily relies on foreign aid. He cares for the orphaned children and wants them to be happy, to have some sense in their lives. Rosta Novák built a worldwide-acclaimed circus group in Prague, where he successfully rules with a firm, paternal hand, but has permanently dark under-eye circles from the workload. The majority of Rwandese think that all people in Europe are fairy rich. On the other hand, many Europeans think that it is necessary to help Africa with everything. What happens, if we merge these two worlds in a film, during the preparation of a joint circus performance? What are the true motivations of our protagonists and what does it tell us about the Africa-Europe relationship? And who actually helps whom, in the end?
