A kaleidoscopic celebration of the 1980 Notting Hill Carnival. Arts Council of Great Britain.
No Cast found.
A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.
"This Is What Trans Punk Looks Like" is a documentary about the transgender punk culture in Texas and the beauty of community. It features several interviews with trans individuals within the scene, talking about their childhood experiences, Texas' political climate, and what punk means to them.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.
200 years of Cologne Carnival! The most colourful and loudest festival in Cologne celebrates a big birthday. In February 1823, a few men from Cologne's upper class founded the so-called 'Festordnende Komitee' - the forerunner of today's 'Festkomitee Kölner Karneval'. This 'big bang' was a reaction to the old festival getting out of hand in orgies and violence. Carnival was in danger. A ban by the Prussian rulers was imminent. The new committee wanted to control the wild goings-on, establish rules and organise the celebrations.
When they hit the Billboard charts, Gama Bomb were trapped by lockdowns, missing a drummer, and unable to tour. Survival Of The Fastest is a new Irish take on classic music documentaries like Anvil or Spinal Tap with a sweet and charming portrait of male friendship during troubled times. Capturing Gama Bomb's quest to play for 10,000 people at Hellfest – the 'Glastonbury of Metal' – Kiran Acharya’s warm and wayward film surprised cinema audiences with a smart, sincere, and absurdly funny year in the life of dear friends trying to keep the show on the road. Packed full of Gama Bomb's trademark humour and pop culture references, the film reflects on their 20-year history in the absurd worlds of punk and metal and their earliest days during the first sparks of the Peace Process in Northern Ireland.
Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.
January 13th, 2024; Suffolk County's punk, grunge, and emo scenes are showcased through the more than a hundred attendees at Caveversary; an annual celebration of the independent basement venue, The Cave.
Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.
A documentary portrait of sideshow impresario Wally Shufflebottom, Jr.
AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.
Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
Jonathan and Romario are two Afro-Ecuadorian children from the Chota Valley, one of the poorest regions of Ecuador. Their fate can be one of two: to become world-class footballers like Ulises de la Cruz, Chucho Benitez and Antonio Valencia, or farmers like Darwin. This documentary reveals the lack of opportunities, discrimination, and economic and social segregation that black communities face in Ecuador.
A concert film documenting a performance from the Houston artist Orpheus Von Doom.
Steve, a 25-year-old Black man from the Paris suburbs, seeks to escape the violence of his immediate surroundings by training to become an actor at one of France’s most prestigious drama schools. But soon he discovers that the theater world is only interested in having him inhabit “Black” roles.
Documentary on the Stockholm punk scene in 1997.
A short documentary film that delves into the life of Eleggua Luna, a karmairi-mokana-motilona Afro-Caribbean trans woman born in Cartagena de Indias, Colombia, to delve into the constant struggle that black, trans and indigenous people live in Abya Yala as a result of colonization.
Ahead of releasing 'Idols', his most personal album to date, and before anyone had heard a note, Yungblud and his touring family travelled to Berlin, where he would perform and record these brand new songs live for the very first time. A personal journey of change, confidence and rock-and-roll chaos, set against a city that has always celebrated counterculture and creativity, this is a revealing and uncompromising documentary about a generational artist finding his own voice.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
No overview available.
No Trailers found.
