Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased homophobia, sexual discrimination and repression of gays.
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A documentary about the actress who played Miss Torso, the dancer that caught James Stewart's eye in Alfred Hitchcock's classic film Rear Window.
In 2019, some still consider homosexuality as a disease that needs to be cured. Focusing on movements with roots in the United States, which draw on both religion and psychiatry to justify so-called conversion therapies, an investigation into the devastating consequences of certain practices that seem to successfully avoid any control by European public authorities.
Edited by famed filmmaker Kathleen Collins, Statues Hardly Ever Smile follows a group of middle school children during a six-week project at the Brooklyn Museum, where they collectively discover and respond to the Egyptian collection. With narration by a member of the museum’s education department, we witness the group’s daily exercises and reflections as they create a theatre piece centered on the relationships developed with the objects and each other.
A documentary about the making of, and legacy of, the Forbidden Planet movie.
A 38 minute documentary that investigates why antisemitism exploded in Bay Area High Schools after Hamas attacked Israel on October 7. This comes after years of anti-Asian hate and anti-white hate.
Examining the relationships between brother and sister, hetero and queer, male and female, this video weaves a provocative discussion between a Black lesbian and her straight brother. In an eloquent examination of desire and denial, Jocie attempts to make her brother acknowledge the violent face of homophobia recounting a time when she was attacked. Frankie candidly tells his sister about his own disempowering experiences as a Black man and recounts the time he tried to seduce her former lover. A candid and brilliant dialogue between family members.
An unflinching look at the ongoing debate on violence in movies and its effect on the audience.
A film crew travels to the island of Islay off the west coast of Scotland to investigate the curious tale of the discovery on the island of a dead wallaby.
Set against the landscape of 80s teen culture and the dawn of yuppiedom, this documentary relishes 'Risky Business' for having the brains to break from convention, while celebrating the film's cultural impact.
Celebrate the films that redefined animation, influenced culture and brought Spider-Man into all new dimensions as the filmmakers, journalists and fans share their love of the Spider-verse films.
Shot in six cities along the Trans-Siberian Railway, this documentary details the current state of the Russian queer community - giving both broad societal overviews and deeply personal accounts from activists and non-activists alike. The film follows Paul Rice and Liam Jackson Montgomery, a gay couple from Ireland, as they travel on the Trans-Siberian Railway, meeting with a diverse range of LGBT+ people-from Nobel Peace prize nominees and drag queens to those who have suffered brutal homophobic and transphobic attacks.
Mountain Gorilla takes us to a remote range of volcanic mountains in Africa, described by those who have been there as ""one of the most beautiful places in the world"", and home to the few hundred remaining mountain gorillas. In spending a day with a gorilla family in the mountain forest, audiences will be captivated by these intelligent and curious animals, as they eat, sleep, play and interact with each other. Although gorillas have been much-maligned in our popular culture, viewers will finally ""meet the legend"" face to face, and learn about their uncertain future.
Adapted from the manga of the same name by Hisashi Eguchi, and directed by Minoru Kawasaki and Rintaro, this is a series of random skits featuring anime, live action, and puppet show segments, exploring love, sex, death and many other sometimes controversial subjects.
What is the difference between a story and a good story? In this short documentary, ten of the greatest screenwriters in Brazil answer this and other questions, guiding us through the universe of creative writing and all its possibilities.
A short documentary about a group of open-water swimmers on Long Island who gather every summer morning in Hampton Bays. Born out of the post-pandemic era, their daily swims provide a sense of calm and a newfound community, proving that it’s never too late to find friendship, purpose, and joy in life’s simple pleasures.
When his family tries to kill him, Sidney, who is intersex, flees to Nairobi where he meets a group of transgender friends. Together, they fight discrimination and discover life, love and self-worth.
A look at the cinematographers, editors, musicians, production designers and other talent of the Dirty Harry series.
In the hills of rural Pennsylvania, the leader of a local militia must prepare his men for the turbulent political landscape of 2020 while at war with his own conscience. For over ten years, 48-year-old Iraqi War Veteran and machinist Christian Yingling has commanded a troop of private militiamen and women concerned with the government’s infringement on their constitutional rights. The group practices paramilitary drills, stockpiles food and ammo, and attends gun rights rallies in preparation for a doomsday scenario. Now that a worldwide pandemic has hit, followed by a summer of racial injustice protests and a Presidential election like no other, Christian—out of work and nearly out of money—must confront his allegiance and choose to act or not.
Tsai interrupted his pre-production for The River to make this pioneering documentary for Taiwan's nascent AIDS-awareness campaign. Ignoring instructions to 'play down the gay angle', he centres the film on his own very candid conversations with two HIV+ young men. Sadly the identities of the interviewees have to be concealed, and so the freewheeling camerawork focuses most often on Tsai himself; but the sense of rapport between the director and his 'new friends' is palpable and very moving, even to Western viewers already only too familiar with these issues.
George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.
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