Korea is a divided nation. Filmmaker Min Sook Lee sets out on a revelatory, emotion-charged journey into Korea’s broken heart, exploring the rhetoric and realism of reunification through the extraordinary stories of ordinary people.
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Over 98 days from August 20th to November 25th 2013, 2821 people from around the world sent 11,852 video featuring many different faces of Seoul. 154 were selected, edited, and made into a movie.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.
A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.
True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea?
The assassination of Kim Jong-nam occurred on 13 February 2017 when two women attacked him with VX nerve agent, a lethal chemical weapon, at Kuala Lumpur International Airport in Malaysia. Kim was the eldest son of deceased North Korean leader Kim Jong-il and the half-brother of current North Korean leader Kim Jong-un. North Korean diplomats objected to any form of autopsy being conducted on Kim's body, but the autopsy proceeded as the they did not submit a formal protest. Following Malaysia's refusal to release the body immediately, North Korea's ambassador Kang Chol accused Malaysia of collaborating with the country's enemies over the assassination of Kim Jong-nam.
An investigative reporter seeks to expose the whereabouts of a slush fund belonging to the former president of South Korea, Lee Myung-bak.
In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.
If the cityscapes and patriotic anthems of this film seem a far cry from the bleak landscape of Seoul Train, that's no accident. Dutch filmmaker Pieter Fleury, with the full permission and cooperation of the North Korean government, created this propaganda film that gives us a glimpse of a day in the life of one of the world's most enigmatic societies. A Day in the Life, largely dictated by the North Korean film bureau, follows a typical North Korean family through their daily duties, largely dedicated to the pride in the North Korean nation of comrades and the glory of General Kim Jong Il. The film is meant to extol the success of modern North Korea. But does it? With straight footage and a total absence of narration, viewers may interpret Fleury's film in a slightly different manner than intended
There lives a couple known as "100-year-old lovebirds". They're like fairy tale characters: the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other, wear Korean traditional clothes together, and still fall asleep hand in hand. However, death, quietly and like a thief, sits between them. This film starts from that moment, and follows the last moments of 76 years of their marriage.
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At the turn of the 19th and 20th century Finnish philologist G. J. Ramstedt travelled around Mongolia and Central-Asia. In this documentary Ramstedt’s memoirs are heard in the modern day setting, where tradition is replaced with hunger for money, and deserts give way to cities.
Tracing the footsteps of North Korean orphans who went to Poland during the Korean War, two women, one from the North and the other from the South, bond through the solidarity of wound and forge together a path toward healing.
Jeju-do is the largest of Korean islands and lies between Korea and Japan. There, for hundreds of years, women dive without breathing apparatus, to the ocean floor and collect shellfish, octopus, and urchins that they sell. The divers are in their sixties and seventies and their daughters do not want to inherit their work, lifestyle, and health problems that go with diving. As a filmmaker I was privileged to meet many of these women and dive with them. Their stories of hardship and pride confirmed my desire to record this unique and ancient tradition.
The church is the body of Christ. In Greece, the church embodied a philosophy. Then in Rome, it became an institution. Spreading throughout Europe, it became one with the culture there. Traveling to the US, the church became a business. And when it arrived in Korea, it became a conglomerate. The top five largest churches in the world are located in Korea. However, Christ has long been absent in the nation. So then, what is the church? Who is Jesus Christ? What kind of world do Christians want? If the church is indeed the body of Christ, then we must ask the questions point-blank. Where do we stand in all this? And where exactly are we headed? Korean churches—“Quo Vadis?” Korean society—“Quo Vadis?”
Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.
Defilada was made on the occasion of the 40th anniversary celebrations of state's founding in North Korea, which the regime intended to use to eclipse the 1988 Summer Olympics taking place that year in Seoul, South Korea. The North Korean regime invited filmmakers from countries then considered friendly (read: Communist), including People's Republic of Poland, which sent a team under Andrzej Fidyk. The documentary is primarily composed of declarative statements, as well as texts of North Korean newspapers and books. There was no author's commentary. Fidyk commented that he and his team were likely “the most disciplined” foreign team of filmmakers in North Korea, as they did not trouble the regime by looking under the surface - they were content with what they were given and asked to do. (Wikipedia)
Eunmi, a woman who underwent intense anti-communist education while she grew up in South Korea, lives a normal life in America. However, after going on a trip to North Korea with her husband, her life begins to change. During an open forum event in South Korea, where she was invited to speak, she suffers the unimaginable, and the more she tries to escape from the situation, the worse and worse it gets.
Join National Geographic's Lisa Ling as she captures a rare look inside North Korea - something few Americans have ever been able to do. Posing as an undercover medical coordinator and closely guarded throughout her trip, Lisa moves inside the most isolated nation in the world, encountering a society completely dominated by government and dictatorship. Glimpse life inside North Korea as you've never seen before with personal accounts and powerful footage. Witness first-hand efforts by humanitarians and the challenges they face from the rogue regime.
