All day of St. Petersburg bohemia in 4 minutes of the film.
Say Om as you reach home only to realize you never really left/stopped saying Om.
A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.
No overview available.
An anthology of surreal films by Patrick McGuinn featuring Vincent, a puppet who is obsessed with Twinkies and pasta.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
A young man, attempting to watch a VHS tape of "Love Streams" by John Cassavetes on his television, is constantly harassed and annoyed by outside forces.
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
In the feature documentary, Summer 82 – When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
The legendary director Ruth Berghaus created this staging of Carl Maria von Weber’s Der Freischütz as a gripping theatrical experience for the Zurich Opera in 1993. Its revival in 1999 was a roaring success. With sets by Hartmut Meyer and costumes by Marie-Louise Strandt, Berghaus’ staging avoids the local peasant colour conventionally associated with Weber’s opera. Chorus and orchestra of the Zurich Opera House are conducted by Nikolaus Harnoncourt, universally celebrated for the structural transparency of his interpretations, his intellectual penetration and his emotional understanding of both music and opera plot. And last but not least an all-star cast made this production a highly memorable event: the dramatic soprano Inga Nielsen as Agathe, one of her best roles, the Swedish soprano Malin Hartelius as Ännchen, the sought-after Heldentenor Peter Seiffert, who gives a convincing passionate Max, and many others.
In Germs, female stereotypes, pseudoscience and promised happiness clash with violent consequences.
A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
A filmmaker gets lost in a world of his own creation, literally. He is plotted against by his outer demons, searches for his lost sex scene and contends with several other versions of himself. A joyful rule-breaking carnival ride through a filmmaker's dreamland.
Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.
Centrist revelations abound among repetitions & revisitings.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Strings together what's strung together (please use yr tether).
Don't ask me why, but I feel we're about to cry trying.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Поэт
Марк
Димон
Костя
Наталья
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