We're No Animals

Oct 3, 2013

1h 34m

★ 4.4

Overview

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Genres

Comedy

Drama

Production Companies

New Crime Productions

Pampa Films

We're No Animals Trailers

No Trailers found.

Cast

Tony Lovecraft

John Cusack

Syd Kuliaky

Kevin Morris

Rudy Maravilla

Paul Hipp

Patrick Pesto

Alejandro Agresti

The Agent

Al Pacino

Conchita

Juana Viale

Rosita

Romina Ricci

Carlo Rossi

Pablo E. Bossi

Translator

Chloé Bello

Adelina Sarmiento

Edda Bustamante

Diva Serrano

Luciana Salazar

Buby Grossman

Pablo Ini

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

6.1

A Cock and Bull Story

Jul 17, 2005

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

4.5

Felicitas

Jun 11, 2009

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?

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6.7

The Death of Abraham Lincoln (In Three Parts)

Jan 1, 1998

An ahistorical re-enactment of the strange and curious events that led up to the untimely demise of our nation’s sixteenth president.

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4.5

Extra Terrestrial

Jan 1, 2004

“A deadpan video art reworking of 1982's highest-grossing movie, EXTRA TERRESTRIAL peels away layers of sentimental narrative goo from its source, exposing a hard core of anxiety, loneliness and dread. Shifting the focus from character to interior, Ben Russell and Rhyne Piggott mine the landscape of a beige-carpeted ranch style house for new insights into the architecture of suburban alienation.” - Anne Reecer, Cinematexas

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6.0

The Twenty-One Lives of Billy The Kid

Jan 1, 2005

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

6.7

Untitled 77-A

Jan 1, 1977

The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.

6.1

Evita

Dec 14, 1996

The hit musical based on the life of Evita Duarte, an Argentinian actress who eventually became the wife of Argentinian president Juan Perón, and the most beloved and hated woman in Argentina.

5.0

Ultra Low

Apr 28, 2018

A Seattle-based filmmaking team struggles to break down the doors of Hollywood.

8.8

Closed Vagina

Nov 3, 1963

Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive

7.2

American Torso

Jan 1, 1975

In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.

7.0

True Dreams

Aug 3, 2002

How many movies have you seen where at the end the main character wakes up, causing he and the audience to simultaneously realize that everything they witnessed beforehand was "just a dream?" This film takes that principal but instead of deceiving, the story invites you to watch the main characters dream away. As a result, "True Dreams" takes the dream sequence to a whole new level: it lets its audience in on the joke, while they watch the two main characters run around unaware of the reality/fantasy of their surroundings. This film can be viewed via Vimeo at https://vimeo.com/132642294 (password: truedreams)

7.3

Colossal

Dec 6, 2012

Colossal explores the complexities of grief and the process of grieving as understood through the myth of a Man as he ventures through shifting landscapes ruminating.

7.7

Peaches & Cream

Jul 27, 2019

An existential comedy about a neurotic film director whose fears of failure, death and losing control all surface on the night his new film is released - a hysterical unforgettable night at least for him his band of eccentric friends.

0.0

Taglish

Dec 6, 2012

At first, there was Tagalog, Gym Lumbera’s short and, to his mind, unfinished narrative about the infidelity that comes between a husband and wife in their twilight years, shot on film and reflecting his own real-life infidelity.. And then there was a storm, a real storm and not a metaphorical one, that flooded his house and submerged, and subsequently damaged, the only copy of Tagalog. This damaged version, entitled English, became the missing piece that completed the film. The new work is named after Taglish, the bastard hybrid, some say corruption, of Tagalog and English, and has become a meditation on love and language and the ways in which we betray and destroy them.

6.5

Refrains Happen Like Revolutions in a Song

Jul 12, 2010

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

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0.0

Mapang-Akit

Sep 6, 2011

"Mapang-akit" is an offshoot of a documentary project made with an Icelandic filmmaker and uses the outtakes from the Hudas Hudas festival in Antique, where a community bonds over a large effigy of Judas Iscariot during Holy Week. Amidst it is a found story of a man who returns home to his death after pursuing a woman in a neighboring village.

5.8

Karkalou

Mar 1, 1984

An old man, cut off from his future and his past, brings a young taxi driver into his game. The two meet Karkalou, a crazy prostitute, whom the former once loved madly and the latter will soon love.

6.0

The Big Departure

Nov 15, 1972

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...