No warheads, no jackbooted soldiers, no statues of the god-emperor – instead, this is a poetic, evocative snapshot of everyday life in North Korea, the country ruled by the world’s most paranoid and secretive regime.
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The assassination of Kim Jong-nam occurred on 13 February 2017 when two women attacked him with VX nerve agent, a lethal chemical weapon, at Kuala Lumpur International Airport in Malaysia. Kim was the eldest son of deceased North Korean leader Kim Jong-il and the half-brother of current North Korean leader Kim Jong-un. North Korean diplomats objected to any form of autopsy being conducted on Kim's body, but the autopsy proceeded as the they did not submit a formal protest. Following Malaysia's refusal to release the body immediately, North Korea's ambassador Kang Chol accused Malaysia of collaborating with the country's enemies over the assassination of Kim Jong-nam.
True crime meets global spy thriller in this gripping account of the assassination of Kim Jong-nam, the half brother of the North Korean leader. The film follows the trial of the two female assassins, probing the question: were the women trained killers or innocent pawns of North Korea?
A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.
In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.
Defilada was made on the occasion of the 40th anniversary celebrations of state's founding in North Korea, which the regime intended to use to eclipse the 1988 Summer Olympics taking place that year in Seoul, South Korea. The North Korean regime invited filmmakers from countries then considered friendly (read: Communist), including People's Republic of Poland, which sent a team under Andrzej Fidyk. The documentary is primarily composed of declarative statements, as well as texts of North Korean newspapers and books. There was no author's commentary. Fidyk commented that he and his team were likely “the most disciplined” foreign team of filmmakers in North Korea, as they did not trouble the regime by looking under the surface - they were content with what they were given and asked to do. (Wikipedia)
Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.
North Korea. The last communist country in the world. Unknown, hermetic and fascinating. Formerly known as “The Hermit Kingdom” for its attempts to remain isolated, North Korea is one of the largest sources of instability as regards world peace. It also has the most militarized border in the world, and the flow of impartial information, both going in and out, is practically non-existent. As the recent Sony-leaks has shown, it is the perfect setting for a propaganda war.
Korea is a divided nation. Filmmaker Min Sook Lee sets out on a revelatory, emotion-charged journey into Korea’s broken heart, exploring the rhetoric and realism of reunification through the extraordinary stories of ordinary people.
Tracing the footsteps of North Korean orphans who went to Poland during the Korean War, two women, one from the North and the other from the South, bond through the solidarity of wound and forge together a path toward healing.
Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.
In 1992, political prisoners from North Korea settled in the South Korean town where filmmaker Dong-won Kim lived. Sent to South Korea as spies during the war, they spent 30 years in jail. How did they endure the many years of torture? What will become of them now that they have been released? Twelve years in the making, Repatriation is a very personal view of a country divided by an ongoing cold war.
Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star (Kim Jong-il's birthday) celebration. While North Korean government wanted a propaganda film, the director kept on filming between the scripted scenes. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal.
Operating under a pseudonym which means 'no boundaries' - North Korean defector Sun Mu creates political pop art based on his life, homeland, and hope for a future united Korea. His hidden identity is nearly compromised when a massive historical exhibit in Beijing is shuttered by Chinese and North Korean authorities.
Portrait of Mrs. B., a tough charismatic North Korean woman who smuggles between North Korea, China and South Korea. With the money she gets, she plans to reunite with her two North Korean sons after years of separation.
What happens when a group of international artists travel to North Korea to create art like the regime have never seen before? While the world is on the verge of nuclear war, a group of Western contemporary artists are invited into the eye of the storm. The aim is to collaborate with North Korean artists in a creative exchange project displaying new and challenging art in a country where abstract art is forbidden.
Under the loving but firm guidance of an old fan turned director and cultural diplomat, and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first rock group ever to perform in the fortress state of North Korea.
A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.
Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People’s Republic of Korea.
"Getting into North Korea was one of the hardest and weirdest processes VBS has ever dealt with. They finally said, “OK, OK, you can come. But only as tourists.” At the airport, the North Korean consulate brought us to a restaurant and these women came out and started singing North Korean nationalist songs. We were thinking, “Look, we were just on a plane for 20 hours. Can we just go to bed?” but this guy with our group who was from the LA Times told us, “Everyone in here besides us is secret police. If you don’t act excited then you’re not going to get your visa. So we got drunk and jumped up onstage and sang songs with the girls. The next day we got our visas. A lot of people we had gone with didn’t get theirs. That was our first hint at just what a freaky, freaky trip we were embarking on…" -VICE Founder Shane Smith
