An early British Kinemacolor short, in which delicate tones and shades of color are beautifully reproduced in examples of highly cultivated sweet pea flowers.
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Trailer
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
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For how long have we been laughing? Are human beings the only ones to laugh? In the past, scientists tended to neglect such questions of laughter, leaving them to the philosophers. Jacques Mitsch's A NATURAL HISTORY OF LAUGHTER explores recent scientific attempts to explicate this most elusive of human faculties, undertaken by scientists who see it as a means of approaching some of the larger mysteries of neurology and human behavior.
In Japan, a million young men have shut the door on real life. Almost one man in ten in his late teens and early twenties is refusing to leave his home – many do not leave their bedrooms for years on end.
A documentary about the cultural effect of film censorship, focusing on the tumultuous times of the teens and early 1920s in America.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.
In 1902, Emery and Ellsworth Kolb opened a studio in the Grand Canyon and began making photographs of mule parties, landscapes, river adventures, and nearly every other dramatic scene and incident that occurred in the area. They also successfully navigated the Green and Colorado Rivers in 1911, filming their journey. This film ran in the Kolb Studio in the Grand Canyon from 1915 until Emery's death in 1976.
An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.
The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.
Filmed to praise the work of the Spanish Ministry of Housing in solving the problem of shanty towns in Bilbao, it was made to be viewed by General Franco and not for public screening or distribution through the NO-DO newsreel. Although the short film was commissioned by the Ministry of Housing, director Jorge Grau produced a subtly critical work.
Short documentary on a central african tribe called 'The Chillouks'.
Denis Lavant reads long passages from Luis Buñuel's semi-autobiographical "My Last Sigh". From this text, without film excerpts, Laurence Garret travels in the footsteps of Buñuel, from Calanda to Zaragoza, Madrid to Toledo, Spain to Mexico.
Film about the Ethiopian famine of I984/85 and the measures taken to combat it
