Chronicles the industrial action leading up to the deregistration of the Builders Labourers Federation.
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Narrator
Himself
In the 1970's, filmmakers Tom Burger, Bill McKiggan and Chuck Lapp began documenting the history and current struggles of inshore fishermen in Atlantic Canada to form a union. Until 1979 it was illegal for fishermen to form a union in Nova Scotia. The committed funding from the National Film Board was withdrawn for this film, however the filmmakers continued to edit the film by entering the NFB at night. The CBC refused to broadcast the film, but it was finally released in 1990 and broadcast nationally that year on Vision TV.
On May 1st, unions all over Japan celebrate May Day, the international day for workers. Workers gather together at parks and hold demonstrations and parades. May Day has its origins in a strike that occurred in the United States on May 1, 1886, a strike that called for an eight-hour workday. Prokino recorded the May Day every year from 1927 to 1932. Among these films, this work is the only one that has survived. However, only its first part has survived. The original film depicts the march to the Ueno Park where the rally was dismissed. Iwasaki Akira coordinated the entire Tokyo Prokino organization as it photographed the 1931 May Day celebrations. They shot in both 16mm and 35mm (other 35mm productions were planned, but this is the only one that achieved completion). A 16mm print was circulated around the countryside by mobile projection units, and a 35mm print was shown at Soviet film nights in Tokyo and Osaka.
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.
Documentary about the history of the progressive Farmer-Labor movement in Minnesota from 1915 to 1944, when the party merged with the Democrats to form the DFL, the Democratic-Farmer-Labor Party.
In the second largest school district in the United States, 98% of teachers vote to authorize a strike. Watch as one of the largest educator strikes in modern U.S. history unfolds in real-time, highlighting the stories and leadership of some of the women who led it, from union leaders to classroom teachers. From strike vote to contract vote, When We Fight goes behind the picket lines, documenting how and why teachers strike. "This powerful and beautifully crafted film is a must watch for anyone interested in the state of labor in America today." - Robert Reich, former Secretary of Labor and Professor of Public Policy, UC Berkeley
Portrait of a community in the heart of South Wales almost one year into the miners' strike of the 1980s.
Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
A main agenda of the prewar farmer's movement was struggle against landowners. Prokino also considered this as their prime concern. The main title sequence and the latter part of the film have unfortunately been lost. While we cannot see its entire structure, we can still get a glimpse of it from this surviving short.
With building collapses happening around the country, activists band together to confront the real estate developers and hold them accountable for the construction destruction, lives they have destroyed, and deaths they have caused.
Teaming up with director Karl Francis, Dafydd Hywel speaks to some of the coal miners and their wives who played a huge part in the Miners' Strike of 1984-5, and their descendants, who have inherited a Wales without coal mines.
A day-to-day record of the construction of the Confederation Bridge linking Prince Edward Island to the mainland, Abegweit reveals some of the innovations that made this mammoth project one of the most impressive engineering feats in Canadian history.
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This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
This late 1940s/early 1950s rather graphic color film about carelessness and safety operating heavy machinery is presented by Caterpillar.
Brothers on the Line explores the extraordinary journey of the Reuther brothers – Walter, Roy, and Victor – union organizers whose unshakeable devotion led an army of workers into an epic human rights struggle.
For more than 120 years, Mohawk ironworkers have raised America’s modern cityscapes. They are called 'sky walkers' because they walk fearlessly atop steel beams just a foot wide, high above the city. In this nuanced portrait of modern Native Americans' double lives, Jerry McDonald Thundercloud and his colleague Sky shuttle between the hard-drinking Brooklyn lodging houses they call home during the week and their rural reservation, a grueling drive six hours north, where a family weekend awaits. While the men are away working, their wives often struggle to keep their children away from the illegal temptations of an economically deprived area.
Every city has its secrets, but it is probably inside houses, behind their silent walls, where they are most intense and human. The Alabado House was built in 1671 as part of Quito’s colonial Old City, surviving centuries of earthquakes, poverty and decay. Over the past five years, dozens of manual laborers have been working to restore it. But its miraculous beauty conceals a long and tragic history. For it was the oppressed indigenous masses who built the Old City, the largest in Latin America.
I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?
