Psychological documentary portrait of a village woman who's about to have an abortion. The story is conveyed in an expressionistic manner with ritualistic undertones.
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Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.
People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.
A 38 minute documentary that investigates why antisemitism exploded in Bay Area High Schools after Hamas attacked Israel on October 7. This comes after years of anti-Asian hate and anti-white hate.
Stanley Kubrick’s first color film, commissioned by the Seafarers International Union to promote the benefits of union membership. Shot inside the union’s Atlantic and Gulf Coast District facilities, it features scenes of ships, machinery, cafeteria life, and meetings, highlighting the daily routines and camaraderie of seafarers. Thought lost for decades, the film was rediscovered in 1973 and preserved by the Library of Congress.
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.
World-renowned snowboarders Travis Rice and Elias Elhardt team up with legendary director Curt Morgan for a celebration of space and time filmed in the deep backcountry of Alaska, exclusively on location at Tordrillo Mountain Lodge.
"Smoke Signals" follows the volunteers at High Point Lookout, one of the last remaining fire lookout towers in California. Alternating between the daily duties of the fire lookouts, and a series of profiles on wildfires that have traced their history, "Smoke Signals" questions the role of the fire lookouts in the face of rapidly advancing technology and climate change.
On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017
Comedic behind-the-scenes film for the production of Mary and Max, originally released as webisodes.
Two Canadians, one Liberal and one Conservative, attend a U.S. convention focused on depolarizing politics, determined to engage in tough conversations for a healthier democracy.
In Prince Edward Island, Josée Gallant-Gordon is reinventing mental health care through her bilingual equine therapy centre, proving that with ideas, one person can transform their community.
From the mind of Chris Benchetler comes TGR's latest short film collaboration. Improvisation is the silver thread that weaves this crew together. Just as the Grateful Dead did not fit their music into an established category, this short film finds a cast of some of the world’s best athletes on a spontaneous journey of skiing, snowboarding, surfing, and music, complete with a soundtrack comprised of only Grateful Dead music.
Is the past the future we want ? The race to get back to normal made us question this very idea of normalcy itself – Is it normal that our planet is dying because of our economic priorities? Is it normal when lockdowns only protect the rich while the economically disadvantaged are left jobless and take to the streets? Is it normal that our children and relationships are dependent on the thin addictive threads of technology Is it normal that we live in a world without kindness? This film uses poetry and visual metaphor to explore these questions.
Documentary by Occitane Lacurie.
The same submarine which successfully captured the world's first moving images of a giant squid in its natural habitat is used for exploring the deep sea cliffs off the coast of New Guinea. The team encounters true living fossil species one after another. Join this exciting deep sea adventure!
Following the example of an entomologist watching the behavior of insects Edmond Bernhard scrutinizes the doings and the words of a priest - assisted by his choirboys - in the process of saying his mass.
However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?
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