Burgtheater recording, based on Shakespeare's play.
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In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
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The third production in a series of Monoteater productions on the theme of "A Man's Life". In its first year, the theatre, which started in 2009, dealt with the early stages of a man's life in the monocomedy "The Husband", in which Jan Uuspõld explored in depth the differences between men and women. In March 2010, Monoteater staged the monocomedy "The Father", which took the audience into the sometimes crazy period of a young man's life, when a big change is about to take place - a baby is about to be born into the family. In April 2012, the audience was introduced to the next important stage in the man's life - a man and a father about to become a grandfather.
A 2010 broadcast of Hamlet returns to cinemas as part of the NT's 50th anniversary celebrations. Following his celebrated performances at the National Theatre in Burnt by the Sun, The Revenger's Tragedy, Philistines and The Man of Mode, Rory Kinnear plays Hamlet in a dynamic new production of Shakespeare’s complex and profound play about the human condition, directed by Nicholas Hytner. He is joined by Clare Higgins (Gertrude), Patrick Malahide (Claudius), David Calder (Polonius), James Laurenson (Ghost/Player King) and Ruth Negga (Ophelia).
Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.
A couple embarks on an epic road trip in an attempt to gain more followers after their Instagram rival's fame doubles overnight.
Marika is a cheerful girl who lives on the Danube aboard an old barge she inherited from her father. She works as a waitress in her aunt's inn, entertaining the guests with singing and dancing. Her greatest dream is to save enough money to repair the old barge and sail down the Danube. One day, she meets three young artists, Georg, Oskar, and Christoph, who all fall in love with her. Together, they put on an open-air revue and raise the necessary money. And with Georg, Marika is lucky in love.
In the middle of a peaceful Hawaiian vacation, a couple has to grapple with a crisis that may not only forever affect their lives, but also all of humanity.
“If you jerk off a 100 times, you die.” This threat rings through the ears of our main character. One day he has to choose between imminent hell and the impetuousness of adolescence.
In a small, poor town, a young worker falls in love with an actress from a traveling theater troupe and tries to keep her close, dreaming and working hard to rebuild a new town while the troupe increasingly faces decline and the end of its run.
Sometimes the drama backstage is better than anything on it... Sometimes the drama backstage threatens to destroy everything on it.
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?
Memorably set between the two world wars, this adaptation of Trevor Nunn's award-winning 1999 Royal National Theatre production of The Merchant of Venice features a superlative performance from Henry Goodman as Shylock.
A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...
Beatrice
Benedikt
Margareta
Schlehwein
Don Pedro
Hero
Leonarto
Holzapfel
Borachio
Konrad
Mönch
Ursula
