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Bossemans
Coppenolle
Léontine Coppenolle
madame Violette
Nestor
Charlotte
Héliacin
Anabella
le patron du café
Georgette
Joseph
Madame Chapeau
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
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Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.
New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
An usherette in a theatre, where a distinguished and popular actor performs, gets her big break when the leading actress has an accident. The director decides to take advantage of the heretofore unexploited talent of the girl and asks her to replace the leading actress. This unexpected opportunity transforms her from a humble usherette into a shining star. Later on, she wins the heart of the leading actor with whom she was secretly in love. However, her sudden rise to theatrical-musical stardom creates complications in their love affair, as her companion sinks into disappointment and drowns himself in drink, abandoning his career. Nevertheless, the usherette/leading actress doesn't give up; She looks for him, finds him and supports him, psychologically and morally, until he makes a comeback to the stage and their love nest.
Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
Roni Beck is a man whose only thought in life is to become a professional comedian, but who due to his lack of success must live hidden in his mother's appartment in an old people's home, continuing to believe firmly that his day in the limelight will come. One day Serge Grätzer, the director of the old people's home, discovers Roni, and makes him help out with the work. Serge then decides to take a hand in Roni's career, embezzling money to launch the budding comedian. Once again however success eludes Roni. In the end Serge decides to fulfil his own secret longings to be on the stage. This leads to a row between the two men. Despite a reconciliation, they never again appear together on the stage. And when Serge's embezzlement is discovered he has to flee with the police at his heels and the home has to be closes. In the end, Roni persuades Mr. Klein, an eccentric old man who likes to play the stock market, to save the home with the millions he has stashed away.
Alexis, Sylvia and Ellen are a trio of legendary scream queens. After the head of a motion picture studio invites them out to a very special screening in exchange for the possibility of a lead role in an upcoming horror film, the three women slowly become suspicious... not only of their circumstances, but also each other. They begin to realize that the horrific footage they are watching might be real and that they might be trapped in the deserted studio with a bonafide killer.
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.
Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.
Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.
The ups and downs in the lives and careers of a group of ambitious young actresses and show girls from disparate backgrounds brought together in a theatrical hostel.
At birth, three children are abandoned in a convent. They are Polito Sol and his siblings, Adriana and Carmelo Águila and they grow up to become the "Águila o Sol" trio. Many years later, Don Hipólito, Polito's father becomes rich and decides to search for his son. In the end he finds Polito and the Aguila siblings.
In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.
