A retrospective special commemorating the 20th anniversary of the sitcom The Mary Tyler Moore Show.
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Herself - Host
Himself
Herself
Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.
“A walk with Richard” is an intimate portrait of a first-generation Japanese immigrant and his multi-generational, family-run Hibachi restaurant. Richard firmly believes in “protecting” the customer, his business, and his family legacy. Come take a walk with Richard and see what it takes to keep the flame burning for more than half a century.
Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.
A married couple working together at a pinball museum explore the state of pinball and what it means to them.
Hosted by one-time M*A*S*H guest star Shelley Long, “Memories of M*A*S*H” included brand-new interviews with the cast as well as producers, creators and guest-stars. The 90-minute retrospective aired on November 25th, 1991 on CBS as part of its “Classic Weekend II,” which also included “The Bob Newhart 19th Anniversary Special” and “The Best of Ed Sullivan II.” Dozens of clips from over over sixty different episodes were shown. It was the brain-child of Michael Hirsh (also responsible for “Making M*A*S*H”) and coincided with the 20th anniversary of M*A*S*H.
A family must change their way of life when they discover their young child has an invisible medical condition that society has overlooked. 18 years ago, the Couroux Family’s youngest son, James, was diagnosed with Celiac Disease (CD), forcing them to change their way of life. His parents, Daniel and Patricia, found themselves working hard to find the best options for James. Meanwhile, James struggled to cope with the mental and psychological effects of his diagnosis, revealing the darker side of CD. With support from expert opinions, Cake-Bomb is a film that aims to explore what it is like to raise a child with CD, as well as what it is like to be that child.
Petar Peca Popović is one of the greatest, most famous, most authoritative and for sure, the best, connoisseur of Rock and Roll in the former Yugoslavia. He promoted Rock and Roll in those heroic times. We are going on a peculiar kind of trip with him, along an "emotional homeland", of ex-Yu, "searching for the lost times" and dear friends, the most significant representatives of this culture - rock'n'roll legends.
Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.
From 2001 to 2005, Jesse F. Keeler and Sebastien Grainger played 546 shows around the world. In 2006, they played zero. This is the story of the life, death, and reunion of Canadian dance-punk two-piece band Death From Above 1979.
An animation about the uncertainties in human connections over time, portrayed in an affectionate relationship between a granddaughter and her grandfather with dementia as they grow old together.
A feature length documentary shot over 9 months taking a look at the explosion of movies that became available on VHS in the UK.
A short documentary exploring the reason behind the return of analog media, specifically vinyl. The documentary focuses on Gabriella, the main participant, and her experiences and personal viewpoints.
This documentary follows avid fans and the pop cultural impact of the classic disaster movie The Poseidon Adventure.
In 1982, Cody Webster and a small group of friends from Kirkland, Washington, sat anxiously in a dugout waiting to take the field for the championship game of the Little League World Series. Their focus was just about what you’d expect from any 12-year-old: hit the ball, throw strikes, cross your fingers and then maybe – maybe – you’ll win. Adults in the stands and watching from home saw a much broader field of play. The memories of American hostages and a crippling oil crisis were still fresh; the economic malaise of the late 1970s still lingered; and the new President was recovering from an assassination attempt even while confronting new threats from the Soviet Union. Meanwhile, back on that tiny baseball field in Williamsport, Pennsylvania, no American team had won a true international Little League World Series Championship in more than a decade. When the Kirkland players rushed from their dugout that day, they stepped onto a much bigger field than the one they saw.
A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.
The memories of a woman, condensed into four periods.
In 2019, Pat Mastroianni best known as Joey Jeremiah from the Degrassi Jr High series, hosted a cast reunion convention event in Toronto called Degrassi Palooza. This documentary highlights the Q&A panels
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When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.
