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The Cat in the Hat is all set for a lovely picnic, but the evil Grinch changes his plans by inventing a contraption that captures noise and makes it sound ferocious. The Cat has to save the world from the clutches of the Grinch and the only way to do it is to reach Grinch's soft spot.
Hiroko attends the memorial service of her fiancé, Itsuki Fujii, who died in a mountain-climbing incident. Although Itsuki's mother says that their old house is gone, Hiroko records the address listed under his name in his yearbook and sends him a letter. Surprisingly, she receives a reply, and discovers it came from his old classmate, a girl who also happens to be called Itsuki Fujii.
Why does Doris Dörrie have a bag on her head in the interview? Consistent in the sense that in her works she always poses the question of how we want to be perceived. Dörrie takes us through the most important stages of her life, her films, her work as a mentor and teacher, and also addresses existential themes: Identity, motherhood, her role as a woman. And she talks openly about fears, setbacks and crises, such as the untimely death of her partner and cameraman Helge Weindler. "Shut up and breathe", the advice of a Tibetan lama, carries her through life - even beyond the screen.
Two lovers who feel they’ll love each other for infinity find themselves facing a future where their love is uncertain.
Between February and April 2025, filmmakers Bernard-Henri Lévy and Marc Roussel filmed the Pokrovsk and Soumy fronts in eastern Ukraine, following the fighters of the Anne de Kyiv Brigade, armed by France. They filmed the daily lives of the inhabitants, bombarded by Russian forces terrorizing civilians on the eve of possible negotiations. They interview President Zelenskyy, who is reluctant to travel to Washington, and then watch the rebroadcast of the meeting with Ukrainian soldiers in a bunker. For the real heroes are the anonymous fighters and civilians who hold their heads high in the face of adversity and suffering, and who are filmed on a daily basis. The final part of Lévy’s “Ukrainian Quartet”, Our War is a diary, peppered with flashbacks in which the author recalls the high points of this war that began in 2014.
M, a university dropout low on money and luck, volunteers to take care of his terminally ill grandmother, in the hope of pocketing an inheritance.
Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.
Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination
A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.
A heartfelt, emotional story about loss, grief, and the bond between a mother and son.
A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.
Starring Sigmund Freud is a video memento for Sigmund Freud's little-known film career. Based on an essay John Menick published in Frieze in 2011, the video collects the dozens of appearances that the character of Sigmund Freud has made on small and big screens. After the 1950s, when pill vials replaced analytic couches, the father of psychoanalysis found a second career impersonating himself in everything from a John Huston clunker to a Star Trek episode. The video suggests that maybe it is in front of the camera, alongside surgically enhanced starlets and CGI chimeras, that “Herr Doktor” will find his final resting place. This video was produced by the Kadist Foundation and commissioned by dOCUMENTA (13).
Voices in Wartime is a 2004 documentary that explores the human experience of war through poetry. Combining interviews with soldiers, journalists, and historians, it reveals how war affects individuals and societies across time and place. The film features poets from around the world – from Homer and Wilfred Owen to Shoda Shinoe and modern writers in Iraq and Nigeria – showing how poetry expresses the pain, trauma, and truth of conflict. By linking verse with real-life accounts, Voices in Wartime highlights how poetry helps us understand the emotional and moral impact of war.
A feature documentary about Ohio-based artist Sparks McFly and his friends as they attempt to conceptualize, write, record, and produce a rap album over the course of just 7 days.
A drama examining the romantic relationships of one man's life. Jumping from past to present, the story focuses on the highs and lows of four specific affairs, alternately revealing passion, humor, beauty, and truth.
Produced in 2014, this documentary about the making of TIE ME UP! TIE ME DOWN! features interviews with director Pedro Almodóvar; actors Antonio Banderas, Victoria Abril, Loles León, and Rossy de Palma; producer Agustín Almodóvar; production manager Esther García; and cinematographer José Luis Alcaine.
A filmmaker’s meditation on loss and grief. A digital eulogy and swan song to his creative partner and best friend. Mixed media woven into the fading daydream of their time together.
People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.
Dr Reza Kamali, with the persecution and punishment of his son, Sina, wants to make him a distinguished student. One day, Sina takes refuge in her mysterious washing machine from father's fear. Someone does not believe in the perfection that comes with his child and he will be admitted to the hospital, but he rushes away and, when he escapes, goes to the hospital's washing machine.
