An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.
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An agile waiter unmasks a cabaret conjurer as a thief.
Comic stories for adults about the problems of family life.
A girl gets on a tram and bursts out in song. Soon, other passengers join and one by one reveal their innermost secrets. A musical about the boundary between the private and the collective.
Silhouette film. Based on Bizet’s opera “Carmen”.
A couple sees each other after their breakup, and it brings back memories.
The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.
Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.
When Ethan, an Emo kid who hates almost everything, falls in love with Trinity, a good Christian girl with a passion for life and her Lord Jesus Christ, will they be able to live happily ever after?
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A group of women band together as they go to war against a pack of men who have done them wrong at every turn.
A pizza delivery man is constantly late for work. His boss gives him one last chance to keep his job. When he arrives at the delivery address, he meets his ultimate idol, the rock star Charly Dopamine and his girlfriend Lucy.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
A cowboy mediator seeks to resolve a dispute between a boy and an indian.
A bittersweet look at life’s many challenges, albeit as experienced by furry, feathered, and slimy creatures who sound and feel all too human.
The female vocal ensemble Singing Babies, founded by Edmund Fritz, puts on a gig.
The animated film was created based on the fables of Sergey Mikhalkov "Cautious birds" and "Hare in the hops." Drake with his assistants arranges a performance on the forest stage for animals. He tells fables about forest dwellers from the stage.
A short film based on Alex Sawyer and Tasie Lawrence's song "Relapse."
