A compiling documentary about Seville "Spain". It reflects with sarcasm some of the deepest problems and stereotypes associated to Andalusians, and depicts them as the consequences of capitalism.
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This Traveltalk series short looks at four of Spain's most famous cities, Granada, Seville, Toledo, and Madrid, with an emphasis on the Moors and their influence on the country.
Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.
Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.
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"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.
Fernanda Ocaña, a 60-year-old drag artist from Seville, left her hometown at 14 to build a life in Barcelona. Taken in by the iconic Spanish artist José Pérez Ocaña, she immersed herself in the world of show business. Today, she continues to shine as the host of the Bar Ocaña in Plaza Real, welcoming guests with her unmistakable charm.
Documentary about Seville's hip hop scene.
A documentary about the inner, unknown world of the brotherhoods, a universe of its own with its own laws, rules, and philosophy far removed from religion, which were (and in many ways still are) foreign to most people, especially the non-Andalusian majority in Spain. It is the only audiovisual document that captures the pivotal moment for the "people at the bottom" when professional bearers (dockworkers, day laborers, and various other wage earners) are being "pushed out" of the brotherhoods and replaced by fellow bearers. From an anthropological perspective, "Costaleros" projects peculiarities of Andalusian culture that are often misinterpreted and misunderstood from the outside.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
Young Gallito (Allan Forrest) wants very badly to become a matador. His sweetheart, Dolores (Priscilla Dean), does everything she can to help him and she wheedles Pedro, a renowned bullfighter (Matthew Betz), into helping him, too. Gallito becomes a success, but he is vamped by Ardita (Claire Delorez) after Pedro is killed in the ring.
It is summertime in a blue-collar, marginal district of a city in the South of Spain. Tano, a teenager currently serving a sentence in a juvenile reform center, is given a 48-hour leave to attend his brother’s wedding.
Álvaro, a man obsessed with the idea of writing what he brands as “high literature,” manipulates the lives and feelings of the people around him to write about the consequences caused by his devious acts.
Seville, Spain. Juan Santos, a convicted petty criminal, gets out of jail for a day to celebrate with Triana, his wife, the first communion of their daughter Estrella.
The film is a television program from a Ugandan satellite in orbit overlooking the decrepit blue planet, where only Seville has been saved. The report we see is made of it, showing it as a world model of a city to be imitated.
Between Munich and Seville, the destinies of sixteen characters intertwine and intersect, missing each other or colliding head-on. They are all, without knowing it, at a pivotal moment in their lives...
Currito, raised in a Seville hospice, ekes out a living while trying to become a bullfighter.
Pablo is a young man who unconsciously seeks a special connection with a girl. An unexpected call could change everything.
