Martyrs of the Inquisition
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
This beautiful short, commissioned by UCLan’s Creative Innovation Zone, is an intricate hand-drawn journey through the life of a local activist, George Dewhurst. An ordinary working man from Blackburn, George was charged with High Treason, shortly after The Peterloo Massacre in August 1819, for speaking at a gathering of workers in Burnley. Narrated by one of George's descendants, 8-year-old Monty Speed, this beautiful animated montage depicts events in George's life in the year 1819, following a quest by descendants to uncover his grave and raise awareness of his story.
Spain, 1953. Pedro Zaragoza, mayor of the city of Benidorm, in the province of Alicante, by the Mediterranean Sea, visits the Palacio del Pardo, General Franco's residence in Madrid, to ask him for help, in the hope of solving a very delicate problem.
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
Set in the Edo period, the film deals with two brothers falling in love with the same girl. Sadly, only 12 minutes of footage survive.
A governess is hired to accompany her Ladyship's modern woman daughter.
A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.
The Count of Maravillas receives an unusual proposal from a masked woman: to kidnap the valido of King Carlos IV.
Two young women are about to receive the great honor of being sacrificed to their Mexica gods; but the cruel and bloody ritual does not go as expected.
His mother abandoned him as a child, so he had no choice but to live outside society. Even so, he grows up determined to reunite with her. Worried that she might be living in misery, he saves his money to help, only to find that she has married into wealth and social position and has no intention of seeing her outcast Yakuza son...
A re-enactment of the Jules Durand case. “In 1910 [leader of the French socialist movement Jean] Jaurès took the lead in defending a working-class coal miner, Jules Durand, accused of complicity in and condemned to death for the murder of a labor leader. As in the Dreyfus Affair, a false dossier had been used to convict Durand. Jaurès proclaimed it was the memory of the Dreyfus Affair that saved Durand. The case was the Dreyfus Affair of the working class.” (http://www.americanthinker.com/articles/2014/03/french_profiles_in_courage.html)
A grandfather recalls how he and his wife met and fell in love during the Second Italian War of Independence.
Britain's first Muslim war heroine is tested to the limit as she faces her brutal captors in Nazi-occupied Paris for the last time.
It is an early winter morning in Kolkata in 1989 and the palatial old "Roy Choudhury" house lies dilapidated, housing the last few members of a once huge affluent joint family. Rudro, the younger brother of the last generation, an under-confident, nondescript man in his mid-30s tries to convince Rajatabho, the eldest of the brothers to take up the offer of selling the house in a desperate attempt to save themselves from bankruptcy. Rajatabho, however, is unrelenting. Rudro, later tries to convince Anjali, Rajatabho's wife, to help change her husband's mind. Later in the day, a crying Anjali grinds down sleeping pills on her kitchen slab. She reminisces down memory lane through each nook and corner of the house as she does this. Finally, at dusk, as Anjali stands alone on the terrace holding a bottle of sleeping pills, Rajatabho suddenly arrives and they look eye to eye for the first time in months.
The Devil of Comparisons (original title: El Demonio de las Comparaciones), was a 30-hour black & white silent film from 1929 by Narding Salome Exelsio (1883-1949). It explores the cyclical lives, deaths, and rebirths of Jose Rizal and his characters (played by hitherto unidentified actors) in a wasteland ruled by demons.
This short film looks at the life of Michel Ney, who fought at Napoleon's side and was made a Marshall of France.
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