What remains for me is to promote my own ruin. Aware of inevitable loneliness, the incarnation of cruelty.
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A father travels through five stages of grief after discovering that his wife is having an affair. The father is portrayed by five different actors and actresses.
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?
A young man named Phillip finds himself in a purgatory reality that's littered with clues of his past life. From the discovery of his own corpse to the mysterious connection with a woman scheduled for an abortion, Phillip slowly reveals this doomed fate by his own hands.
Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
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Upon realizing there's not much time left, a teenager stuck in their bedroom, with only a window to the outside world, reflects on their life and tries to find a way out of their prison.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
Katie has escaped an abusive household with her dog and younger sister Haley, in exchange for a less than ideal temporary housing environment. They soon realize that someone is too eager to welcome them to the neighborhood.
A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.
A man tormented by his shadow gets tired of feeling bad.
Flashing lights explode across an apartment as images of a woman in bed flicker in and out.
A curator at a high-profile art gallery finds herself drawn to a young, polyamorous artist who introduces her to a lifestyle that reflects a part of herself she had once abandoned.
In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.
The story takes place in the landscapes of La Spezia, where urban and rural environments intertwine. Water plays a primary role as a form, alongside the circle (e.g., bicycle wheels, pizzas, clocks…), which sets the rhythm of the character’s life, dynamically accelerating until it becomes very fast. The overlapping forms invite the viewer into the cyclical rhythm of the short film, moving from the spinning bicycle wheel to the washing machine drum in the character’s bathroom, from a freshly tossed pizza to the delivery mailbox, and finally to a dead-end wall. Savana is a race against oneself and against others; it’s a matter of decision and unpredictability — it’s black or white.
A debt-settlement meeting turns into a surreal nightmare of ego, sexism, and chaos.
An abstract exploration of memory and loss.
