Flashing lights explode across an apartment as images of a woman in bed flicker in and out.
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Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.
A Korean American family moves to an Arkansas farm in search of its own American dream. Amidst the challenges of this new life in the strange and rugged Ozarks, they discover the undeniable resilience of family and what really makes a home.
In Los Angeles Chinatown, a lonely teenager tries to help her parents keep their seafood restaurant afloat during the COVID-19 pandemic.
In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?
The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.
In this non-dialogue tale, taking place along the coast of Vietnam, a mermaid is rescued from the fish market by a fisherman. As the hero carries her back to the ocean, they are joined by two jolly seahorses. Upon her wake at the beach, the mermaid performs a sensual dance. But her joy is cut short: the waves have other plans.
A chronicle of the lives of a couple and the gradual dissolution of their relationship.
A father travels through five stages of grief after discovering that his wife is having an affair. The father is portrayed by five different actors and actresses.
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In an alternate Manhattan, two researchers-Robert Lang and Jeff Hawthorne-are drawn into Project STARLING, a covert operation buried deep within the Titanpointe building. When Hawthorne breaks protocol and vanishes into a mysterious portal, the city reels from unexplained phenomena. Lang is forced to navigate a collapsing reality as STARLING agents turn ruthless and the boundaries between dimensions begin to rupture. As transformations unfold and the city descends into chaos, both men confront forces beyond comprehension-shifting identities, spectral adversaries, and a growing sense that something vast and irreversible is approaching.
The story takes place in the landscapes of La Spezia, where urban and rural environments intertwine. Water plays a primary role as a form, alongside the circle (e.g., bicycle wheels, pizzas, clocks…), which sets the rhythm of the character’s life, dynamically accelerating until it becomes very fast. The overlapping forms invite the viewer into the cyclical rhythm of the short film, moving from the spinning bicycle wheel to the washing machine drum in the character’s bathroom, from a freshly tossed pizza to the delivery mailbox, and finally to a dead-end wall. Savana is a race against oneself and against others; it’s a matter of decision and unpredictability — it’s black or white.
Set beneath a surreal green sky on a distant, crumbling world, the film captures the last survivors of a dying civilization—women who perform a synchronized ritual dance to summon an ethereal extraterrestrial presence from another realm.
Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.
Shadow plays flicker, birds call, and colour leaks into grey walls. In Starlings, live action collides with puppetry and poetic visuals as a teen girl transforms loss into light, reviving the fractured bond with her father through the fragile power of art.
A debt-settlement meeting turns into a surreal nightmare of ego, sexism, and chaos.
Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
When his girlfriend leaves for New York City on a 3-month-long internship, a strongly opinionated Berkeley arthouse movie theater manager begins exploring life as a bachelor.
A young man named Phillip finds himself in a purgatory reality that's littered with clues of his past life. From the discovery of his own corpse to the mysterious connection with a woman scheduled for an abortion, Phillip slowly reveals this doomed fate by his own hands.
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
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