An experimental film directed by author Samuel R. Delany
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Self
Masked Statue
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A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
Folgorazioni begins that path of “manipulation” of materials (filmed and refilmed, altered, stripped of all that is appearance) that we also find in the latest Come cani, come angeli. Divided into eleven fragments of different lengths, the film starts from physical violence to arrive at the mystery of life and death, the enigma that accompanies Valdoca’s works.
goodnight and rest.
Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.
An abstract animated film inspired by the work of jazz musician Chico Hamilton.
After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.
A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.
A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.
In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.
