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This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.
Juliette is a young woman who has grown up on a farm that is now under economic siege. In order to save her farm and her family, Juliette is forced into a marriage of convenience with Marcel , a morose and laconic railway worker whom she does not even know. Now that her own life is permanently changed, her sacrifice does not ultimately help her family and with that sorrow added to her lonely existence, she is trapped into remaining married because of social pressures and soon enough, the birth of a child. There must surely be a way out for her at some point, but when and how that will happen seems completely up to fate alone.
Across a language barrier, a Turkish groom-to-be on an engagement party in Kyiv meets a Ukrainian that represents the 'other woman' for a marriage there.
The school play is in trouble and these scrappy theatre kids are determined to save it.
The original format is 8mm film (single8), and once the developed film is incompletely layered on the undeveloped film, it is projected onto a curtain swaying in the wind by shining light at an angle with a penlight. Created an effect.
A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.
No overview available.
A boy uses a professor's liquid to make objects transparent.
A Suitable Girl follows three young women in India struggling to maintain their identities and follow their dreams amid intense pressure to get married. The film examines the women's complex relationship with marriage, family, and society.
A bizarre cartoon based on English nursery rhymes.
The cartoon is based on one of the famous Ukrainian lullabies. It tells the story of a newborn baby, which is surrounded by the maternal care and affection. In the video sequence, unusual ornament is replaced by fairy tale characters and animals that appear near the baby lying in his cradle.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Johanna has lost her savings book. Can the finder now withdraw the money? How secure is a savings book and what advantages does it offer the owner? What does the bank actually do with the money while it has it in safekeeping?
How manipulable are people? Mr. O. considers himself to be uninfluenceable. His daily routine with the corresponding decision-making situations and behaviors gives two commentators cause to take different positions on human dependence on external influences: While one wants to declare Mr. O. a will-less object of advertising, for example, the other believes his freedom is never at risk.
