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An "Ock-umentary" exploring the character of Doc Ock and the way he as well as his tentacles were brought to life on the silver screen.
Some 220 miles above Earth lies the International Space Station, a one-of-a-kind outer space laboratory that 16 nations came together to build. Get a behind-the-scenes look at the making of this extraordinary structure in this spectacular IMAX film. Viewers will blast off from Florida's Kennedy Space Center and the Baikonur Cosmodrome in Russia for this incredible journey -- IMAX's first-ever space film. Tom Cruise narrates.
The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.
The blurred portrayal of a young woman as she moves through three steps of her sexuality.
From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.
Three boxing athletes and one coach open up about their journey within the demanding sport. This touches on community, role models, mental health, and the sport perception on mainstream media.
The celebration of communion in Christian ceremonies is one of the oldest elements of church tradition. The film shows how young people prepare and celebrate communion together during a leisure activity.
Documentary about the making of the 1983 thriller "Cujo"
Raw footage received from photographer Harry Dunham revealed never before seen images of Mao Tse-Tung and the Eighth Route Army, inspiring Frontier to collectively shape a new film from desperate images, and to refine its dialectic editing.
Join the Mars rovers Spirit and Opportunity for an awe-inspiring journey to the surface of the mysterious red planet.
This short, silent film captures a Sunday afternoon at a community skating rink. Iconic Quebec director Gilles Carle has the camera follow toddlers learning to skate, young girls flashing their skates and boys decked out in the colours of their favourite hockey teams. A picture perfect moment on a bright winter's day.
Join Mike, Tom, and Yuri in the studio as they record their album "Secret Weapon."
Short film about the opening of the Kiel Canal in 1895. The Emperor arrives at the rail station.
Journey into Amazing Caves is an extraordinary IMAX adventure into the depths of the earth to uncover the secrets to life underground.
Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.
Mia and Roman is a 1968 23-minute documentary film which was shot during the making of Rosemary's Baby.
Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.
When was Canada populated by Native Americans from the West? This film relates the discovery of the New World from the time of the Vikings, around 880, to Jacques Cartier.
Chris Jiménez follows Sanae Nagashima with his camera in her journey from the crowded streets of Asakusa to the ancient castle of Tsuchiura.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Himself
Herself
