Documentary about the Spanish Civil War and its subsequent consequences on the country's society, featuring testimonies from various figures, interviews, and significant photographic and audio documents.
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A new look at the Spanish Civil War, from the 'graffiti' drawn in the dungeons of Cangas del Narcea by political prisoners sentenced to death.
After more than 75 years, Vicente Montejano tells us first-hand about his experience of more than 14 years in the Russian Gulag after the end of the Spanish Civil War.
"Tres días de julio" shows what happened in the city of Cádiz in the hours prior to the coup d'état of July 18, 1936, as well as what happened until the moment the Cadiz capital succumbs to the rebels on the morning of Sunday the 19th. The documentary features the participation of historians, relatives of victims of reprisals, and even some direct testimonies of people who lived those tragic days in their youth. The city and province of Cádiz are described as a fundamental piece in the coup because, when it failed in the main cities of the country, they began to play a fundamental role in the strategy followed by the rebels in the immediate Civil War.
Ordered personally by Mussolini, with the expression "martellamento diluito nel tempo", the bombings were a studied way of sowing terror, massacring citizens little by little and ending their sources of livelihood. The film provides little-known data from that episode, such as official documents that show that democratic Italy continued to receive money from Spain for its participation in the war. In 2013, the Barcelona Court accepted a complaint against the Italian pilots who participated in the bombings. The victims, for their part, are still waiting for Italy to apologize for these events.
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The road to the last great battle of the Spanish Civil War. A documentary film by Jordi Domènech, Toni Orensanz and Manel Vinuesa
During the Spanish Civil War, more than 500 young Spanish pilots went through the Russian Aviation School in Kirovabad, former capital of the current Republic of Azerbaijan. Once the Spanish war was over, some of them remained in Soviet territory and continued their fight against Fascism on the side of the Russian army.
This documentary summarizes one of the most beautiful pages of contemporary history. Thousands of women and men, some "foreigners" wrote them: the page of anti-fascist solidarity with the Spanish Republic and its victorious Popular Front in February 1936 for some, and solidarity with the "revolution" for others; both causes for most of them.
Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.
The story of the pioneering electronic composer Ramón Sender Barayón. From his escape from the Spanish Civil War to the California of psychedelia, hippies and counterculture.
Gijón was one of the most bombed cities on the northern front during the Spanish civil war. This documentary confronts, on the one hand, the images of a propaganda video made by the rebel side in 1937, with the images of abundant graphic material of the time, which show a very different reality of the city.
Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).
The young farmer Aalami leaves his family to find work elsewhere. He gets to know the country and its people, customs and traditions at Küste in North Africa: Market life in Tetuan, the art of craftsmanship, the life of the Moors, dances and festivities in honour of the caliph, white mosques, the call of the muezzin of the minaret and the music of the shepherd flutes. Aalami also follows Franco's call and flies from Morocco to Spain to fight at Bürgerkrieg. In the end Aalami comes back to his wife and children.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
A documentary about how Republican forces lost to Franco in the Spanish Civil War.
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
The Spanish journalist Manuel Chaves Nogales (1897-1944) was always there where the news broke out: in the fratricidal Spain of 1936, in Bolshevik Russia, in Fascist Italy, in Nazi Germany, in occupied Paris or in the bombed London of World War II; because his job was to walk, see and tell stories, and thus fight against tyrants, at a time when it was necessary to take sides in order not to be left alone; but he, a man of integrity to the bitter end, never did so.
