Le baron Wurtz
Félix, professeur de piano
Le vicomte, le prédentant de Suzette
Gustave Luquin
Stromboli
Constantinovtch
M. Bile
La baronne Wurtz
Suzette Wurtz, fille de la baronne
La comtesse
Le secrétaire
La pianiste
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"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.
The film is based on the stories Anton Chekhov. It is a tribute to the actor Boris Andreyev. He plays a major role that keeps up for the duration of the film. Lively and intelligent Valery Spout largely mitigates underline the drama of the protagonist, while Michael Sveta's role, though small, is bright and memorable.
Members of the Camorra on the run and actors seeking for authority meet after a shipwreck on an island-prison. The theatre turns into a free zone where everyone may not be able to recover their social role but for sure their humanity. Somebody can even get love back. Shakespeare and Eduardo De Filippo blend together in a picaresque comedy full of coup de théâtre.
The fierce and merciless battle of three forty-somethings who live together and want to seduce their pretty stewardess neighbor at all costs. A competition full of pitiful and feverish seduction acts. Redoing one's life at forty-five is not easy and becomes an absolute emergency. But does the stewardess really have the vocation to save the "Masculins 45"?
Sir Arthur Conan Doyle's most celebrated adventure gets a brilliantly farcical overhaul in Lotte Wakeham's acclaimed production. World-renowned detective Sherlock Holmes and his colleague Dr Watson are asked to unravel the mystery surrounding the untimely death of Sir Charles Baskerville. With rumours of a cursed giant hound loose on the loose moors, they must act fast in order to save the Baskerville family's last remaining heir. A hit in the West End, this ingenious adaptation combines an exhilarating collision of farce, theatrical invention and wonderfully comic performances to offer a brand-new twist on the greatest detective story of all time. A whodunnit for all ages.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
Television recording of the theatre play 'Gebroed' by the Werkteater from 1983. The play, written and performed by Frank and René Groothof, is about their childhood together, their relationship to each other and to their parents, their conflicts, but also their shared love for theater and music.
Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.
Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.
Mr. Follavoine plans to supply the French army with chamber pots. In preparation for this lucrative contract, he invites a doctor from the Ministry of War. The business dinner takes a different turn when Mme Follavoine appears, obsessed by their son Toto's constipation.
In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.
A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.
Enrico, a traveling salesman who lives in a room in Amalia's house, returns from a long trip to find that his room has been turned into a funeral chamber for the death of Gennaro, the woman's husband. Shocked, the man confides his fears to a doctor, who replies that the only real fear is that of the living, not the dead.
Attilio and Emilia are two newlyweds who love each other madly despite the extreme poverty in which they live. Their relationship is contrasted by that of Domenico and Sofia, the owners of their house, who live in constant conflict. When Christmas arrives, despite their poverty, the two young people decide to give each other gifts: Emilia agrees to cut and sell her long hair to buy a chain for her husband's watch, while Attilio sells his watch to buy a hair clip for his wife.
During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
