This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.
The film follows 10-year-old Oleg, whose life has been turned upside down by the ongoing war in East Ukraine. Oleg lives with his beloved grandmother Alexandra in a small house in a village on the frontline. Most people have left the village, but Oleg and Alexandra love their life together there and want to stay on and take care of each other. But life is becoming more and more difficult and the war does not seem to end.
This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.
The Garbage Pail Kids are 30 years old. Celebrate their gross-out greatness with artist interviews, superfan collections, and more.
No overview available.
A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
A documentary about the possible ties between H.P.LOVECRAFT and the Polesine region (Italy), stimulated by the casual discovery of a mysterious manuscript attributed to the great American horror writer died in 1937.
Short film about the Manzanar Japanese American internment camp. Preserved by the Academy Film Archive in 2011.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
An intimate portrait of a couple raising their child gender neutral.
As we run, the layers of responsibility and identity we have gathered in our lives, the father, mother, lawyer, teacher, Manchester United-supporter labels, all fall away, leaving us with the raw human being underneath. With nothing but our own two legs moving us, we begin to get a vague, tingling sense of who, or what, we really are.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In 1957, Charles and Ray designed the Solar Do-Nothing Machine for Alcoa, the Aluminum Company of America. True to the Eameses’ belief that toys are not as innocent as they appear, the machine was one of the first uses of solar power to produce electricity. In the 1990s, Eames Demetrios discovered unedited footage of the wonderful machine. He cut it together to produce a new film that shares a bit of its flavor for future generations to enjoy.
Through raw, revealing footage and interviews with fugitive tech pioneer John McAfee, this documentary uncovers new layers of his wild years on the run.
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Narrator (voice)
