In this Traveltalk short, the symbolic role of cherry blossoms in Japanese culture is explored as well as the traditional Japanese religions of Shintoism, Confucianism, and Buddhism.
Narrator (voice) (uncredited)
No Trailers found.
Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.
Craft beer is a fast growing popular movement in Japan. Traveling to Japan to scout this exciting emerging market, american craft beer brewmaster Rob LoBreglio sets out on an off-the-beaten-track visit to meet with beer brewers, pub owners and beer lovers to discover the Japanese way of beer. Kanpai!
Japan blossomed into its Renaissance at approximately the same time as Europe. Unlike the West, it flourished not through conquest and exploration, but by fierce and defiant isolation. And the man at the heart of this empire was Tokugawa Ieyasu, a warlord who ruled with absolute control. This period is explored through myriad voices-- the Shogun, the Samurai, the Geisha, the poet, the peasant and the Westerner who glimpsed into this secret world.
Brilliant Moon chronicles the life of the writer, poet, and meditation master Khyentse Rinpoche, one of Tibet's most revered 20th-century Buddhist teachers. Spiritual guide to His Holiness the Dalai Lama and the Royal Family of Bhutan, his life and teachings were an inspiration to all who encountered him. Richard Gere and Lou Reed provide the narration for his dangerous journey out of China, the subsequent spread of his influence and the search for his reincarnation after his death.
In Japan, more than four million young people survive by taking on precarious jobs. They are called “freeters”. The film gives voice to these “discard-after-use” workers, who regard their situation with both lucidity and desperation, as well as to ex-freeters who have become activists in the fight against exclusions.
Sake is a traditional alcoholic beverage from Japan and is otherwise known as rice wine. Women were prohibited from entering the many large and small sake breweries dotting Japan for centuries. However, times have changed and women are present on the sake scene today. In several cases, they are integral to the Japanese brewery business. The documentary depicts women who are not only enthusiasts, but also leaving their marks on the evolution of this Japanese mainstay.
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
The documentary focuses on the annual Mani Rimdu festival of Tibet and Nepal, an event which encapsulates the Himalayan Buddhist experience.
Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.
The culture of Japan is incredible, from bloom festivals to ultra-modern cities. But there are also more than 130 mammals and 600 bird species dwelling in Japan’s 6,852 islands. This island chain is long enough to span climate zones, providing a huge range of habitat.
Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.
In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
This is the story of colorful Japanese customs and manners of the past, and their contrast with present-day Japan. We see ancient farming customs, agricultural ceremonies, ancestor worship, schoolteaching, marriage customs, sports, all against the background of beautiful Japan.
Prajna is the Sanskrit word for radiant wisdom, and yatra is the word for pilgrimage or spiritual journey. This visually stunning documentary is a cinematic pilgrimage exploring the lost civilization of Angkor in Cambodia, including the largest temple in the world, the magnificent Angkor Wat. The journey continues to sacred sites of the natural world, Hindu Bali, jungles of Java, and discovering Buddhist Borobudur. A John Bush film.
Following in the footsteps of his father, Folco Felzani embarks on an epic journey on foot in search of Mustang, the last lost kingdom, in northern Nepal. The story of a king without a kingdom. The adventure of a son without a father.
This documentary started as part of a photography project about the indigenous Ainu population in northern Japan, portraying people from tightly knit communities. They feel deeply connected by their culture and tradition. With gorgeous pictures, the directors explore how different generations of Ainu reflect on their identity after centuries of oppression.
Street art, creativity and revolution collide in this beautifully shot film about art’s ability to create change. The story opens on the politically charged Thailand/Burma border at the first school teaching street art as a form of non-violent struggle. The film follows two young girls (Romi & Yi-Yi) who have escaped 50 years of civil war in Burma to pursue an arts education in Thailand. Under the threat of imprisonment and torture, the girls use spray paint and stencils to create images in public spaces to let people know the truth behind Burma's transition toward "artificial democracy." Eighty-two hundred miles away, artist Shepard Fairey is painting a 30’ mural of a Burmese monk for the same reasons and in support of the students' struggle in Burma. As these stories are inter-cut, the film connects these seemingly unrelated characters around the concept of using art as a weapon for change.
Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.
A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.