Heróico. Imortal. Tricolor.
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Himself
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
New Jersey, June 18, 1994. Giants Stadium is awash with green as Irish soccer fans arrive to watch Ireland's opening World Cup match against the mighty Italy. The sense of optimism is infectious. The Celtic Tiger is in its infancy. Bill Clinton's decision a few months earlier to grant a visa to Irish Republican leader Gerry Adams has added momentum to an embryonic peace process. Jack Charlton's team walks onto the pitch before 75,000 fervent spectators who've traveled from across the globe for this game.
A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.
Starting with a Nazi plan to steal the Rimet Trophy from Italy during World War II, the story unfolds like a great caper film. Our hero, Ottorino Barassi, a mild-mannered Italian soccer official, tries to protect a valued treasure.
After a decade of struggle and misfortune Everton became the best side in the land. Even better than their all-conquering neighbours, Liverpool! They won the FA Cup, thrashed Man Utd 5-0, beat Liverpool, home and away, and then strolled to the league title with a record amount of points. They steamrollered the great Bayern Munich and won a first ever European trophy and, for a time, were probably the best side in Europe. We will never know for sure - because they couldn't prove it... This is the tale of a man with Everton in his blood, a team intent on greatness and a city united in defiance. A story told by all the heroes of the day - the men that made history.
After “Letter From a Time of Exile”, the director is back in Lebanon where he discovers that his dreams about his country are an illusion and that the exile in your homeland is by far the worst exile. Programmer's Note: Borhane Alaouié returns to Beirut from his exile. His documentary film constitutes a new letter at the start of the 21st century in reply to the letters of the 1980s. The reconstruction process appears to affect stones more than people.
Zombies are part of pop culture, but what are they? Where do they come from? To find real zombies we visit Haiti where Zombies are an integral part of the island's cultural and religious roots.
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.
Echo of the Mountain takes a look at the life and work of Santos de la Torre, a great Huichol artist who, like his people, lives in oblivion. Despite having made a great mural for the metro station Palais Royal – Musée du Louvre, Santos lives isolated and ignored in his country. This documentary follows his pilgrimage to Wirikuta, where he asks gods for permission to make a new mural; his journey across 385 miles of the Peyote Route, and Santos's creative process during the making of a new mural which aims to illustrate the history, mythology and religious traditions of the Huichol people.
Talented teen musicians from around the USA spend a week working with Grammy nominated professionals
The documentary goes through the 23 years of MTV Brazil, taking stock from the avant-garde to the ostracism of the broadcaster that was the main guide for the musical, cultural and social formation of young people in the 90's and 2000's with interviews and testimonials from former VJ's and artists that emerged and became popular in the country because of the channel.
In this retrospective tribute, acclaimed filmmaker Jean Walkinshaw hails the 100th anniversary of Mount Rainier National Park in Washington by talking to those who know it best: the scientists, naturalists, mountain climbers and artists whose lives have been touched by the peak's far-reaching shadow. The result is a harmonious blend of archival material and high-definition footage celebrating an icon of the Pacific Northwest.
A documentary on Argentinean soccer star Diego Maradona, regarded by many as the world's greatest modern player.
Oleg Kirillov - coach of the intuitive football team. It's hard to believe, but his wards are members of the national football team of the Republic of Belarus among the blind. Each of them appeared on the field for various reasons, but today they face a common task - to maintain their champion status in the national competition. Kirillov himself grew up in a disabled family and knows well how to communicate with his wards. He is not only a mentor, but also a friend of each of the athletes. An important element of the film is work with sound, it completely restored the sound environment that is natural for players, in which they focus on the noise made by the ball and the clear instructions of the coach.
David Asmmann's Football Under Cover documents the hard work involved in setting up an exhibition soccer match, known as a "friendly," between a German girls squad and Iranian women's team. In addition to showing how the two groups come from very different cultures, the documentary showcases what playing the game means to the members of both teams, and displays how passionate the fans of these two squads are.
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.
Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.
Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
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