Part of Chris Marker’s Three Video Haikus series, Tchaïka is a brief visual meditation showing an overexposed view of a bridge and the river flowing beneath it.
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Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.
Chronicling the single-afternoon gathering (June 4, 1967) of 11 American athletes and a politician. Meeting in Cleveland, Ohio, to have a discussion with Muhammad Ali about his refusal to enter the Vietnam War draft.
The German artist Joseph Beuys is reflecting on his theory of art, being filmed as a kinetic sculpture. In 1981, the film has won the German film critic's award for “Best short film in Germany”.
At his cinema in Rome, the Nuovo Sacher, Nanni Moretti anxiously oversees preparations for the premiere of the film Close-up, by Iranian director Abbas Kiarostami. Meanwhile Disney's The Lion King is taking Italy by storm.
A highly secure conference centre, nestled in the mountains. Hugo Radi combines a creative way of filming this locus of power with two fictional voice-over accounts to construct a dystopian world with real contours. This speculative film seems to draw inspiration from the most frightening elements of our contemporary societies.
A documentary about the life and art of wood-block artist Katsushika Hokusai.
The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.
In a hidden place, the daily routine of a retirement home unfolds as time seems to stand still. The penciled residents come to life on paper. Some are active, others rest or follow a fixed schedule that repeats each day: medication, meals, games… Around them, machines are flashing, caregivers are busy and crucifixes remind them of the death that lies in wait. Time fades away and a forest stretches out nearby.
Joshua Littman, a 12-year-old boy with Asperger's syndrome, interviews his mother, Sarah. Joshua's unique questions and Sarah's loving, unguarded answers reveal a beautiful relationship that reminds us of the best—and the most challenging—parts of being a parent.
Why does a housewife concerned for her family's welfare feed them so inadequately that she endangers their very lives? The film is a humorous and satirical attempt to remind the average housewife that it is not enough to be aware of modern food facts; they must also be applied in daily food purchasing and preparation. (NFB)
Film produced and directed by Ricky Leacock, Edward Pincus, and MIT Center for Advanced Visual Studies documenting the Centerbeam kinetic sculpture project and its first installation at documenta 6 in Kassel, Germany in 1977
A 'creative documentary' about an Austrian skier who was known during the 70s. Examined from a biographical / visual standpoint.
A look at various predictions Nostradamus made, such as the American and French Revolutions.
An animated documentary about a memorable event: in spring 1997, a coloring contest is launched for the release of a new variety of ketchup.
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the second motion picture to be copyrighted in the United States.
The subject of the film was the Hauka movement. The Hauka movement consisted of mimicry and dancing to become possessed by French Colonial administrators. The participants performed the same elaborate military ceremonies of their colonial occupiers, but in more of a trance than true recreation.
Homage to the great Brazilian samba songwriter Noel Rosa (1910-1937).
An interview of Tomás Milián discussing his performance in Umberto Lenzi's Almost Human.
