A quartet of powerful, hard-hitting short films that lay bare the disturbing reality of everyday life in the Democratic Republic of Congo.
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A man performs the same ritual every day: he cleans his shoes, dresses up in his shiny blue suit, wears his white gloves and grey hat, and spends his time walking around Brazzaville. His presence generates an absurd apparition in the urban chaos of the city, which reflects the imaginary produced by one of the upmost icons of pop culture.
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In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.
A musical oddessy through the heart of Africa in search of the roots of Rock & Roll.
Along an overgrown rail track south of the Zairean town Kisangani, a UN expedition together with a handful of journalists discover “lost” refugees. They are eighty thousand Hutus from far away Rwanda, the last survivors of three years of hunger and armed persecution that transpired throughout the vast Congo basin. The Hutu-refugees leave the forest, gathering in two gigantic camps. Hundreds of refugees die every day from diseases and malnutrition The Rwandans are promised repatriation with airplanes out of Kisangani. The film traces those refugees into the heart of the rainforest, and the hopeless attempts to help them.. But only four weeks later, the unprotected UN-camps are again attacked by machine-gun fire, deliberately massacred by factions of the rebel army (AFDL) of today’s Democratic Republic Congo. Eighty thousand men, women and children disappear once again back into the jungle. (jedensvet.cz)
A visual travel diary on the expedition led by Brondeel in 1934. This expedition to Belgian Congo, by truck, became a testimony to the social conditions of Africans during the colonial era.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
35 Cows and a Kalashnikov is a joyously made triptych about warrior-farmers, colorful dandies and voodoo wrestlers in Ethiopia, Brazzaville and Kinshasa. It paints a loving and attentive portrait of African pride and beauty.
The Democratic Republic of the Congo is a vast, mineral rich country the size of Western Europe. Alastair Leithead takes an epic journey from the Atlantic Ocean to the far reaches of the Congo river to explore how history has shaped the Congo of today and uncover the lesser told stories of this beautiful, if troubled country. In the largest rainforest outside of the Amazon he comes face to face with its gorillas and hunts with pygmies, he travels into the heart of the Ebola outbreak with United Nations peacekeepers, and explores the cobalt mines which will drive our electric cars of the future.
Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).
A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.
Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything. With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease. What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yang learns about the Congolese way of making deals.
John Bishop encounters one of the most endangered animals on Earth, and discovers they and his family have more in common than he ever imagined. Filming in the jungles of Rwanda for John Bishop’s Gorilla Adventure, the comedian realises adolescent male mountain gorillas are just like his teenage sons – bulging muscles but no sense. Plus they fart, flirt and pick their noses. We follow John as he joins a group of vets who have dedicated their lives to saving the, sadly, precious few mountain gorillas left in the wild rugged mountains and valleys between the borders of Rwanda, Congo and Uganda, which were made famous to UK viewers by David Attenborough’s iconic sequence filmed among them in the 1970s.
Some kids in Brussels play a game based upon objects that were brought back from the Congo and which were used during the Hutereau expedition.
Rumba Rules, New Genealogies offers an enjoyable, rough-edged glimpse into the music scene of Kinshasa, with impromptu shots drawing the viewer into jam sessions on plastic chairs, and the quest for perfection at the studio.
April, 1994. Genocide in Rwanda. 800,000 dead. A catastrophe that upset the balance in the entire region. The Great Lakes region of Africa ended the year with a bloodbath. This documentary shows the intrigues, the dramatic effects, the treasons, the vengeances that prevailed over those years and whose only goal was to maintain or increase each faction’s area of influence. In just ten years, the population saw all their hopes vanish: The dream of an Africa in control of its own destiny, alimentary self-sufficiency, the end of interethnic conflicts
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