A comedy short staring Robert Benchley. He tries to show us how to make our own movies.
Joe Doakes
Party Guest (uncredited)
Party Guest Wearing Bowtie (uncredited)
Girl (uncredited)
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Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.
A charming yet mischievous man who navigates his community by scamming people and borrowing money. Despite his deceitful ways, Mabidi tries to maintain a semblance of normalcy at home, where he faces his no-nonsense wife, Maria.
When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.
With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
A new law has swept through the land, bananas are illegal. A government agency has been created named the Anti Banana Movement or ABM to stop those who smuggle bananas.
José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.
Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.
Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.
A diary film built from home movies shot by a father in Sardinia during the 1950s and ’60s, capturing playful and affectionate family moments before his early death. Paired with Kafka’s “Letter to His Father,” the film reflects on absence, memory, and the filmmaker’s own father, exploring how those lost continue to live through the images we watch.
Notable for providing a bucolic, personal view of high-ranking Nazis. Eva Braun was the longtime romantic companion to Adolf Hitler, as well as a photographer and amateur filmmaker. Her 8mm Agfacolor-stock home movies, recorded at her leisure, were seized by the US Army in 1945. They were subsequently assembled into 8 reels, from 28 reels of original camera negatives. The US National Archives received this 8-reel film in 1947, and in 2012 began the digital restoration process.
Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
Friends, family and co-stars take part in this revealing and entertaining look at British icon Roger Moore and his rise to global fame. With rare home-movie footage.
Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.
“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.
A girl suddenly ends up at a movie theater labeled theater 17. Upon entering, she watches a film compilation of her childhood home videos.
Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
In the shadow of Dinosaur Cliff lies Fossil Gulch and Ghost Ranch. Will someone on the ranch be an innocent victim?
After purchasing their home, a young couple begins documenting their lives.
THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.
