Sex as a mutual creative gesture.
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In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Alberta, a mousy young woman with the survival skills of a snail, loses cash that isn't hers, so she runs from her small town to Seattle where her old babysitter, Celene, lives - a dominatrix with a classy apartment and a life plan. She lets Alberta stay. Alberta gets a job as a checker at a supermarket and becomes fascinated with Celene's work.
An average working man who is alone in a world of deception finds himself in a marriage of convenience.
A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
A woman returning home after having a sour day decides to sleep.
Cooper is given a decision that could help him finally make a difference or get him killed.
Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video website called "Babylon". Soon, she's bound and tortured along with Shizuko and an oversexed housewife named Ruri.
Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.
A psychiatrist encourages his female patients to tell him their sexual problems, each as each relates her particular case, we see it in flashback.
Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.
A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion...
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
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