An inside look at the gritty streets of Brazil.
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Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
Putta (Whore) follows the story of three prostitutes living in the town of Foz do Iguaçu, on the triple border between Brazil, Argentina and Paraguay. The film traverses the complexities of each of the three prostitutes personal lives’–from transexuality to family and motherhood–in the context of the brothels and streets in which they work.
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
Buy Bye Beauty is a 2001 documentary film by Swedish director and performance artist Pål Hollender. The film is about the way Latvian sex industry and its being fueled by businessmen and sex tourists from Sweden visiting Riga. The film was shot in Riga in July 2000. The narration of the film is in English, with interviews conducted in Russian and Latvian.
21st century legal prostitution through the frank stories of Amsterdam red-light district sex workers at a time when tighter regulation threatens their livelihood.
A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.
How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.
British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.
An exercise in gentle voyeurism revealing glimpses of the secret side of Salvador, the capital city of the Brazilian state of Bahia, filming a derelict prostitution zone.
Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
9to5 - Days in Porn focuses on the people behind a controversial and multi-billion dollar industry "The Adult Entertainment industry". It depicts their stories, each one different, unadorned and authentic, without glorification or prejudice. It delivers deep insight into their personal lives - from glamorous to grotesque - strange, fascinating, offensive, absurd and sometimes funny moments all at once.
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Directed by Kevin Burns, this documentary from Playboy Home Video examines the oftentimes tense relationship between sex, women, and popular Hollywood culture. With a particular focus given to Marilyn Monroe, Jayne Mansfield, Jean Harlow, and Sharon Stone, Sex at 24 Frames Per Second studies the role of female sexuality in film throughout the years. ~ Tracie Cooper, Rovi
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
The world of pimping in early 1980s America offers a rare, unfiltered glimpse into a controversial underground lifestyle. Through exclusive interviews with the notorious figure “Harold” and his associates—Alice, Lori, and Karen—the film provides a nuanced exploration of the lives of pimps and streetwalkers and the ways their paths intertwine. With a focus on both the allure and inherent dangers of this lifestyle, the documentary reaches a sombre climax, shedding light on the tragic murder of Alice Franklin, one of Harold’s streetwalkers, later that same year.
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
After drawing a picture of underground gangs and corruption and prostitution in them, i.e. escort services and explaining how they operate, narrates the story of a case of their infiltration into Iran and the trafficking of Iranian girls.
This exploitation classic purports to expose the secrets of the 1960s lesbian underworld.
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